[27]. Edgar Allan Poe. The Masque of the Red Death. London:Penguin Group,2008,p. 61.
[28].Bernard F. Dukore. Harold Pinter. London:Macmillan Press Ltd.,1982,p. 24.
[29].Harold Pinter.“Writing for the Theatre”. Harold Pinter:Various Voices:Prose,Poetry,Politics. Lon-don:Faber and Faber,1998,p. 60.
[30].Judith Lorber and Lisa Jean Moor. Gender and Social Construction of Illness. New York:The Row-man and Littlefield Publishing Group,Inc.,2002,p. 1.
[31].Lupton Deborah. Medicine as Culture:Illness,Disease and the Body in Western Societies. London:SAGE Publication Ltd.,2003. p. 7.
[32].James Aho and Kevin Aho. Body Matters:A Phenomenology of Sickness,Disease and Illness. New York:Roman Littlefield Publishers,Inc. 2008,p. 103.
[33].James Aho and Kevin Aho. Body Matters:A Phenomenology of Sickness,Disease and Illness. New York:Roman Littlefield Publishers,Inc. 2008,p. 11.
[34].Ibid.,p. 9.
[35].苏珊·桑塔格,《疾病的隐喻》,程巍译。上海:上海译文出版社,2003,第102页。
[36].Judith Lorber and Lisa Jean Moor. Gender and Social Construction of Illness. New York:The Row-man and Littlefield Publishing Group,Inc.,2002,p. 6.
[37].James Aho and Kevin Aho. Body Matters:A Phenomenology of Sickness,Disease and Illness. NewYork:Roman Littlefield Publishers,Inc. 2008,p. 115.
[38].Lupton Deborah. Medicine as Culture:Illness,Disease and the Body in Western Societies. London:SAGE Publication Ltd.,2003,p. 42.
[39].谭光辉,《症状的症状:疾病隐喻与中国现代小说》,学位论文:四川大学,2006,第35页。
[40].James Aho and Kevin Aho. A Phenomenology of Sickness,Disease and Illness. New York:Roman Littlefield Publishers,Inc.,2008,p. 125.
[41].Lupton Deborah. Medicine as Culture:Illness,Disease and the Body in Western Societies. London:SAGE Publication Ltd.,2003,p. 95.
[42].Martin Esslin. The Theatre of the Absurd. London:Penguin Books,1978,p. 402.
[43].周来祥,《文艺美学》。北京:人民文学出版社,2003,第231页。
[44].舍斯塔科夫,《美学范畴论———系统研究和历史研究尝试》,理然译。长沙:湖南文艺出版社,1990,第139页。
[45].Gotthold Ephraim Lessing.“Laocoon”. Critical Theory since Plato. Ed. Hazard Adams and Leroy Searle. Beijing:Peking University Press,2006,p. 379.
[46].Gotthold Ephraim Lessing.“Laocoon”. Critical Theory since Plato. Ed. Hazard Adams and Leroy Searle. Beijing:Peking University Press,2006,p. 381.
[47].Horace.“Art of Poetry”. Critical Theory since Plato. Ed. Hazard Adams and Leroy Searle. Beijing:Peking University Press,2006,p. 79.
[48].维克多·雨果,《克伦威尔序言》,选自《雨果论文学》,柳鸣九译。上海:上海译文出版社, 1980,第30页。
[49].同上,第33页。
[50].同上,第84页。
[51].转引自周来祥,《文艺美学》。北京:人民文学出版社,2003,第235页。
[52].同上,第244页。
[53].“Absurd”. Def. 1. The Oxford English Dictionary. 2nd ed. 2004.
[54].Martin Esslin. The Theatre of the Absurd. London:Penguin Books,1978,p. 23.
[55].Aristotle.“Poetics”. Critical Theory since Plato. Ed. Hazard Adams and Leroy Searle. Beijing:Peking University Press,2006,p. 54.
[56].亚里士多德在他的《诗学》中论述喜剧时指出:“喜剧是对低下类型人物的模仿,然而,却不是人们意识中的‘坏’,滑稽其实是丑的细分,它包含了一些并非疼痛的或是破坏性的缺点或丑陋,最明显的例子就是喜剧面具是丑陋的、变形的,然而却不会令人感到痛苦。”See Ar-istotle.“Poetics”. Critical Theory since Plato. Ed. Hazard Adams and Leroy Searle. Beijing:Pe-king University Press,2006,p. 54.
[57].Ralph M. Leary. Uncertainty in Harold Pinter’s Play: Playing with the Responses of the Spectators. Diss. The State University of New Jersey,1984,p. 1.
[58].Martin Esslin. The Theatre of the Absurd. London:Penguin Books,1978,p. 411.
[59].Ibid.,p. 24.
[60].Perry Claude Dillon. The Characteristics of French Theater of the Absurd in the Plays of Edward Al-bee and Harold Pinter. University of Arkansas,1968,p. 6.
[61].周宁编,《西方戏剧理论史》。厦门:厦门大学出版社,2008,第994页。
[62].Michael Lambek and Paul Antze. Illness and Irony:on the Ambiguity of Suffering in Culture. New York:Berghahn Books,2003,p. 21.
[63].古斯塔夫·弗莱塔克,《论戏剧情节》,张玉书译。上海:上海译文出版社,1981,第66页。
[64].Susan H. Mcdaniel,Jeri Hepworth and William J. Doherty. The Shared Experience of Illness:Stories of Patients,Family and Their Therapists. New York:Perseus Books Groups,1997,p. 2.
[65].周宁编,《西方戏剧理论史》。厦门:厦门大学出版社,2008,第1213页。
[66].同上,第1218页。
[67].James Aho and Kevin Aho. Body Matters:A Phenomenology of Sickness,Disease and Illness. New York:Roman Littlefield Publishers,Inc.,2008,p. 55.
[68].Martin Esslin. The Theatre of the Absurd. London:Penguin Books,1978,p. 25.
[69].Martin Esslin. Pinter,the Playwright. London:Methuen,1978,p. 47.
[70].王燕,“论品特戏剧中的疾病”,《当代外国文学》,2(2008):72-79.
[71].Martin Esslin. Pinter,the Playwright. London:Methuen,1978,p. 55.
[72].Dominick Lacapra. Writing History,Writing Trauma. The Johns Hopkins University Press,2001, p. 21.
[73].Dominick Lacapra. Writing History,Writing Trauma. The Johns Hopkins University Press,2001, p. 20.
[74].西格蒙德·弗洛伊德,《精神分析引论》,高觉敷译。北京:商务印书馆,1997,第216页。
[75].王晓路,《文化批评关键词研究》。北京:北京大学出版社,第325页。
[76].Harry Derbyshire.“Pinter as Celebrity”. The Cambridge Companion to Harold Pinter. Ed. Peter Raby. Cambridge:Cambridge University Press,2001,p. 234.
[77].Ibid.,p. 234.