Until two weeks ago Henri had been Heiny and Miss Fink had been Kid. When Henri had been Heiny he had worked in the kitchen at many things, but always with a loving eye on Miss Gussie Fink. Then one wild night there had been a waiters' strike--wages or hours or tips or all three. In the confusion that followed Heiny had been pressed into service and a chopped coat. He had fitted into both with unbelievable nicety, proving that waiters are born, not made. Those little tricks and foibles that are characteristic of the genus waiter seemed to envelop him as though a fairy garment had fallen upon his shoulders. The folded napkin under his left arm seemed to have been placed there by nature, so perfectly did it fit into place. The ghostly tread, the little whisking skip, the half-simper, the deferential bend that had in it at the same time something of insolence, all were there; the very "Yes, miss," and "Very good, sir," rose automatically and correctly to his untrained lips. Cinderella rising resplendent from her ash-strewn hearth was not more completely transformed than Heiny in his role of Henri. And with the transformation Miss Gussie Fink had been left behind her desk disconsolate.
Kitchens are as quick to seize upon these things and gossip about them as drawing rooms are. And because Miss Gussie Fink had always worn a little air of aloofness to all except Heiny, the kitchen was the more eager to make the most of its morsel. Each turned it over under his tongue--Tony, the Crook, whom Miss Fink had scorned; Francois, the entree cook, who often forgot he was married; Miss Sweeney, the bar-checker, who was jealous of Miss Fink's complexion. Miss Fink heard, and said nothing. She only knew that there would be no dear figure waiting for her when the night's work was done. For two weeks now she had put on her hat and coatand gone her way at one o'clock alone. She discovered that to be taken home night after night under Heiny's tender escort had taught her a ridiculous terror of the streets at night now that she was without protection. Always the short walk from the car to the flat where Miss Fink lived with her mother had been a glorious, star-lit, all too brief moment. Now it was an endless and terrifying trial, a thing of shivers and dread, fraught with horror of passing the alley just back of Cassidey's buffet. There had even been certain little half-serious, half-jesting talks about the future into which there had entered the subject of a little delicatessen and restaurant in a desirable neighborhood, with Heiny in the kitchen, and a certain blonde, neat, white-shirtwaisted person in charge of the desk and front shop.
She and her mother had always gone through a little formula upon Miss Fink's return from work. They never used it now. Gussie's mother was a real mother--the kind that wakes up when you come home.
"That you, Gussie?" Ma Fink would call from the bedroom, at the sound of the key in the lock.
"It's me, ma."
"Heiny bring you home?" "Sure," happily.
"There's a bit of sausage left, and some pie if----""Oh, I ain't hungry. We stopped at Joey's downtown and had a cup of coffee and a ham on rye. Did you remember to put out the milk bottle?"For two weeks there had been none of that. Gussie had learned to creep silently into bed, and her mother, being a mother, feigned sleep.
To-night at her desk Miss Gussie Fink seemed a shade cooler, more self-contained, and daisylike than ever. From somewhere at the back of her head she could see that Heiny was avoiding her desk and was using the services of the checker at the other end of the room. And even as the poison of this was eating into her heart she was tapping her forefinger imperatively on the desk before her and saying to Tony, the Crook:
"Down on the table with that tray, Tony--flat. This may be a busy little New Year's Eve, but you can't come any of your sleight-of-hand stuff on me." For Tony had a little trick of concealing a dollar-and-a-quarter sirloin by the ****** method of slapping the platter close to the underside of histray and holding it there with long, lean fingers outspread, the entire bit of knavery being concealed in the folds of a flowing white napkin in the hand that balanced the tray. Into Tony's eyes there came a baleful gleam. His lean jaw jutted out threateningly.
"You're the real Weissenheimer kid, ain't you?" he sneered. "Never mind. I'll get you at recess.""Some day," drawled Miss Fink, checking the steak, "the house'll get wise to your stuff and then you'll have to go back to the coal wagon. I know so much about you it's beginning to make me uncomfortable. I hate to carry around a burden of crime.""You're a sorehead because Heiny turned you down and now----" "Move on there!" snapped Miss Fink, "or I'll call the steward to settleyou. Maybe he'd be interested to know that you've been counting in the date and your waiter's number, and adding 'em in at the bottom of your check."Tony, the Crook, turned and skimmed away toward the dining-room, but the taste of victory was bitter in Miss Fink's mouth.
Midnight struck. There came from the direction of the Pink Fountain Room a clamor and din which penetrated the thickness of the padded doors that separated the dining-room from the kitchen beyond. The sound rose and swelled above the blare of the orchestra. Chairs scraped on the marble floor as hundreds rose to their feet. The sound of clinking glasses became as the jangling of a hundred bells. There came the sharp spat of hand-clapping, then cheers, yells, huzzas. Through the swinging doors at the end of the long passageway Miss Fink could catch glimpses of dazzling color, of shimmering gowns, of bare arms uplifted, of flowers, and plumes, and jewels, with the rosy light of the famed pink fountain casting a gracious glow over all. Once she saw a tall young fellow throw his arm about the shoulder of a glorious creature at the next table, and though the door swung shut before she could see it, Miss Fink knew that he had kissed her.
