"Oh! do tell me all about him. You know quite a number of us in France have the greatest possible admiration for your national hero. We know, of course, that he is an enemy of our Government--but, oh! we feel that he is not an enemy of France because of that. We are a nation of heroes, too, monsieur," she added with a pretty, proud toss of the head; "we can appreciate bravery and resource, and we love the mystery that surrounds the personality of your Scarlet Pimpernel. But since you know him, monsieur, tell me what is he like?
Armand was smiling again. He was yielding himself up wholly to the charm which emanated from this young girl's entire being, from her gaiety and her unaffectedness, her enthusiasm, and that obvious artistic temperament which caused her to feel every sensation with superlative keenness and thoroughness.
"What is he like?" she insisted.
"That, mademoiselle," he replied, "I am not at liberty to tell you."
"Not at liberty to tell me!" she exclaimed; "but monsieur, if I command you--"
"At risk of falling forever under the ban of your displeasure, mademoiselle, I would still remain silent on that subject."
She gazed on him with obvious astonishment. It was quite an unusual thing for this spoilt darling of an admiring public to be thus openly thwarted in her whims.
"How tiresome and pedantic!" she said, with a shrug of her pretty shoulders and a moue of discontent. "And, oh! how ungallant! You have learnt ugly, English ways, monsieur; for there, I am told, men hold their womenkind in very scant esteem. There!" she added, turning with a mock air of hopelessness towards de Batz, "am I not a most unlucky woman? For the past two years I have used my best endeavours to catch sight of that interesting Scarlet Pimpernel; here do I meet monsieur, who actually knows him (so he says), and he is so ungallant that he even refuses to satisfy the first cravings of my just curiosity."
"Citizen St. Just will tell you nothing now, mademoiselle," rejoined de Batz with his good-humoured laugh; "it is my presence, I assure you, which is setting a seal upon his lips. He is, believe me, aching to confide in you, to share in your enthusiasm, and to see your beautiful eyes glowing in response to his ardour when he describes to you the exploits of that prince of heroes.
En tete-a-tete one day, you will, I know, worm every secret out of my discreet friend Armand."
Mademoiselle made no comment on this--that is to say, no audible comment--but she buried the whole of her face for a few seconds among the flowers, and Armand from amongst those flowers caught sight of a pair of very bright brown eyes which shone on him with a puzzled look.
She said nothing more about the Scarlet Pimpernel or about England just then, but after awhile she began talking of more indifferent subjects: the state of the weather, the price of food, the discomforts of her own house, now that the servants had been put on perfect equality with their masters.
Armand soon gathered that the burning questions of the day, the horrors of massacres, the raging turmoil of politics, had not affected her very deeply as yet. She had not troubled her pretty head very much about the social and humanitarian aspect of the present seething revolution. She did not really wish to think about it at all. An artiste to her finger-tips, she was spending her young life in earnest work, striving to attain perfection in her art, absorbed in study during the day, and in the expression of what she had learnt in the evenings.
The terrors of the guillotine affected her a little, but somewhat vaguely still. She had not realised that any dangers could assail her whilst she worked for the artistic delectation of the public.
It was not that she did not understand what went on around her, but that her artistic temperament and her environment had kept her aloof from it all. The horrors of the Place de la Revolution made her shudder, but only in the same way as the tragedies of M. Racine or of Sophocles which she had studied caused her to shudder, and she had exactly the same sympathy for poor Queen Marie Antoinette as she had for Mary Stuart, and shed as many tears for King Louis as she did for Polyeucte.
Once de Batz mentioned the Dauphin, but mademoiselle put up her hand quickly and said in a trembling voice, whilst the tears gathered in her eyes:
"Do not speak of the child to me, de Batz. What can I, a lonely, hard-working woman, do to help him? I try not to think of him, for if I did, knowing my own helplessness, I feel that I could hate my countrymen, and speak my bitter hatred of them across the footlights; which would be more than foolish," she added *****ly, "for it would not help the child, and I should be sent to the guillotine. But oh sometimes I feel that I would gladly die if only that poor little child-martyr were restored to those who love him and given back once more to joy and happiness. But they would not take my life for his, I am afraid," she concluded, smiling through her tears. "My life is of no value in comparison with his."
Soon after this she dismissed her two visitors. De Batz, well content with the result of this evening's entertainment, wore an urbane, bland smile on his rubicund face. Armand, somewhat serious and not a little in love, made the hand-kiss with which he took his leave last as long as he could.
"You will come and see me again, citizen St. Just?" she asked after that preliminary leave-taking.
"At your service, mademoiselle," he replied with alacrity.
"How long do you stay in Paris?"
"I may be called away at any time."
"Well, then, come to-morrow. I shall be free towards four o'clock. Square du Roule. You cannot miss the house. Any one there will tell you where lives citizeness Lange."
"At your service, mademoiselle," he replied.
The words sounded empty and meaningless, but his eyes, as they took final leave of her, spoke the gratitude and the joy which he felt.
