And his love shall ungirdle his sword to-night, Honneur e la belle Isoline!"Such is the romantic, esoteric, old French way of saying -"Hark, 'tis the troubadour Breathing her name Under the battlement Softly he came, Singing, "From Palestine Hither I come.
Lady love! Lady love!
Welcome me home!"
The moral of all this is that minor poetry has its fashions, and that the butterfly Bayly could versify very successfully in the fashion of a time ******r and less pedantic than our own. On the whole, minor poetry for minor poetry, this artless singer, piping his native drawing-room notes, gave a great deal of perfectly harmless, if highly uncultivated, enjoyment.
It must not be fancied that Mr. Bayly had only one string to his bow--or, rather, to his lyre. He wrote a great deal, to be sure, about the passion of love, which Count Tolstoi thinks we make too much of. He did not dream that the affairs of the heart should be regulated by the State--by the Permanent Secretary of the Marriage Office. That is what we are coming to, of course, unless the enthusiasts of "free love" and "go away as you please" failed with their little programme. No doubt there would be poetry if the State regulated or left wholly unregulated the affections of the future.
Mr. Bayly, living in other times, among other manners, piped of the hard tyranny of a mother:
"We met, 'twas in a crowd, and I thought he would shun me.
He came, I could not breathe, for his eye was upon me.
He spoke, his words were cold, and his smile was unaltered, I knew how much he felt, for his deep-toned voice faltered.
I wore my bridal robe, and I rivalled its whiteness;Bright gems were in my hair,--how I hated their brightness!
He called me by my name as the bride of another.
Oh, thou hast been the cause of this anguish, my mother!"In future, when the reformers of marriage have had their way, we shall read:
"The world may think me gay, for I bow to my fate;But thou hast been the cause of my anguish, O State!"For even when true love is regulated by the County Council or the village community, it will still persist in not running smooth.
Of these passions, then, Mr. Bayly could chant; but let us remember that he could also dally with old romance, that he wrote:
"The mistletoe hung in the castle hall, The holly branch shone on the old oak wall."When the bride unluckily got into the ancient chest, "It closed with a spring. And, dreadful doom, The bride lay clasped in her living tomb,"so that her lover "mourned for his fairy bride," and never found out her premature casket. This was true romance as understood when Peel was consul. Mr. Bayly was rarely political; but he commemorated the heroes of Waterloo, our last victory worth mentioning:
"Yet mourn not for them, for in future tradition Their fame shall abide as our tutelar star, To instil by example the glorious ambition Of falling, like them, in a glorious war.
Though tears may be seen in the bright eyes of beauty, One consolation must ever remain:
Undaunted they trod in the pathway of duty, Which led them to glory on Waterloo's plain."Could there be a more ****** Tyrtaeus? and who that reads him will not be ambitious of falling in a glorious war? Bayly, indeed, is always ******. He is "******, sensuous, and passionate," and Milton asked no more from a poet.
"A wreath of orange blossoms, When next we met, she wore.
The expression of her features Was more thoughtful than before."On his own principles Wordsworth should have admired this unaffected statement; but Wordsworth rarely praised his contemporaries, and said that "Guy Mannering" was a respectable effort in the style of Mrs. Radcliffe. Nor did he even extol, though it is more in his own line, "Of what is the old man thinking, As he leans on his oaken staff?"My own favourite among Mr. Bayly's effusions is not a sentimental ode, but the following gush of true natural feeling:-"Oh, give me new faces, new faces, new faces, I've seen those around me a fortnight and more.
Some people grow weary of things or of places, But persons to me are a much greater bore.
I care not for features, I'm sure to discover Some exquisite trait in the first that you send.
My fondness falls off when the novelty's over;I want a new face for an intimate friend."
This is perfectly candid: we should all prefer a new face, if pretty, every fortnight:
"Come, I pray you, and tell me this, All good fellows whose beards are grey, Did not the fairest of the fair Common grow and wearisome ere Ever a month had passed away?"For once Mr. Bayly uttered in his "New Faces" a sentiment not usually expressed, but universally felt; and now he suffers, as a poet, because he is no longer a new face, because we have welcomed his juniors. To Bayly we shall not return; but he has one rare merit,--he is always perfectly plain-spoken and intelligible.
"Farewell to my Bayly, farewell to the singer Whose tender effusions my aunts used to sing;Farewell, for the fame of the bard does not linger, My favourite minstrel's no longer the thing.
But though on his temples has faded the laurel, Though broken the lute, and though veiled is the crest, My Bayly, at worst, is uncommonly moral, Which is more than some new poets are, at their best."Farewell to our Bayly, about whose songs we may say, with Mr.
Thackeray in "Vanity Fair," that "they contain numberless good-natured, ****** appeals to the affections." We are no longer affectionate, good-natured, ******. We are cleverer than Bayly's audience; but are we better fellows?
