Such are the chief features of this landscape, the principal characteristic of which is a rugged wildness softened by smiling accidents, by a happy blending of the finest works of men's hands with the capricious lay of a land full of unexpected contrasts, by a something, hardly to be explained, which surprises, astonishes, and puzzles.In no other part of France can the traveller meet with such grandiose contrasts as those offered by the great basin of the Couesnon, and the valleys hidden among the rocks of Fougeres and the heights of Rille.Their beauty is of that unspeakable kind in which chance triumphs and all the harmonies of Nature do their part.The clear, limpid, flowing waters, the mountains clothed with the vigorous vegetation of those regions, the sombre rocks, the graceful buildings, the fortifications raised by nature, and the granite towers built by man; combined with all the artifices of light and shade, with the contrasts of the varieties of foliage, with the groups of houses where an active population swarms, with the lonely barren places where the granite will not suffer even the lichen to fasten on its surface, in short, with all the ideas we ask a landscape to possess: grace and awfulness, poesy with its renascent magic, sublime pictures, delightful ruralities,--all these are here; it is Brittany in bloom.
The tower called the Papegaut, against which the house now occupied by Mademoiselle de Verneuil rested, has its base at the very bottom of the precipice, and rises to the esplanade which forms the cornice or terrace before the church of Saint-Leonard.From Marie's house, which was open on three sides, could be seen the horseshoe (which begins at the tower itself), the winding valley of the Nancon, and the square of Saint-Leonard.It is one of a group of wooden buildings standing parallel with the western side of the church, with which they form an alley-way, the farther end of which opens on a steep street skirting the church and leading to the gate of Saint-Leonard, along which Mademoiselle de Verneuil now made her way.
Marie naturally avoided entering the square of the church which was then above her, and turned towards the Promenade.The magnificence of the scene which met her eyes silenced for a moment the tumult of her passions.She admired the vast trend of the valley, which her eyes took in, from the summit of La Pelerine to the plateau where the main road to Vitry passes; then her eyes rested on the Nid-aux-Crocs and the winding gorges of the Val de Gibarry, the crests of which were bathed in the misty glow of the setting sun.She was almost frightened by the depth of the valley of the Nancon, the tallest poplars of which scarcely reached to the level of the gardens below the Queen's Staircase.At this time of day the smoke from the houses in the suburbs and in the valleys made a vapor in the air, through which the various objects had a bluish tinge; the brilliant colors of the day were beginning to fade; the firmament took a pearly tone; the moon was casting its veil of light into the ravine; all things tended to plunge the soul into reverie and bring back the memory of those beloved.
In a moment the scene before her was powerless to hold Marie's thoughts.In vain did the setting sun cast its gold-dust and its crimson sheets to the depths of the river and along the meadows and over the graceful buildings strewn among the rocks; she stood immovable, gazing at the heights of the Mont Saint-Sulpice.The frantic hope which had led her to the Promenade was miraculously realized.Among the gorse and bracken which grew upon those heights she was certain that she recognized, in spite of the goatskins which they wore, a number of the guests at La Vivetiere, and among them the Gars, whose every moment became vivid to her eyes in the softened light of the sinking sun.A few steps back of the ground of men she distinguished her enemy, Madame du Gua.For a moment Marie fancied that she dreamed, but her rival's hatred soon proved to her that the dream was a living one.The attention she was giving to the least little gesture of the marquis prevented her from observing the care with which Madame du Gua aimed a musket at her.But a shot which woke the echoes of the mountains, and a ball that whistled past her warned Mademoiselle de Verneuil of her rival's determination."She sends me her card," thought Marie, smiling.Instantly a "Qui vive?" echoing from sentry to sentry, from the castle to the Porte Saint-Leonard, proved to the Chouans the alertness of the Blues, inasmuch as the least accessible of their ramparts was so well guarded.
"It is she--and he," muttered Marie to herself.
To seek the marquis, follow his steps and overtake him, was a thought that flashed like lightning through her mind."I have no weapon!" she cried.She remembered that on leaving Paris she had flung into a trunk an elegant dagger formerly belonging to a sultana, which she had jestingly brought with her to the theatre of war, as some persons take note-books in which to jot down their travelling ideas; she was less attracted by the prospect of shedding blood than by the pleasure of wearing a pretty weapon studded with precious stones, and playing with a blade that was stainless.Three days earlier she had deeply regretted having put this dagger in a trunk, when to escape her enemies at La Vivetiere she had thought for a moment of killing herself.She now returned to the house, found the weapon, put it in her belt, wrapped a large shawl round her shoulders and a black lace scarf about her hair, and covered her head with one of those broad-brimmed hats distinctive of Chouans which belonged to a servant of the house.Then, with the presence of mind which excited passions often give, she took the glove which Marche-a-Terre had given her as a safeguard, and saying, in reply to Francine's terrible looks, "I would seek him in hell," she returned to the Promenade.
