"Oh, do not say that, Father," cried Ramona; "you can ride, when it tires you too much to walk. The Senora said, only the other day, that she wished you would let her give you a horse; that it was not right for you to take these long journeys on foot. You know we have hundreds of horses. It is nothing, one horse," she added, seeing the Father slowly shake his head.
"No;" he said, "it is not that. I could not refuse anything at the hands of the Senora. But it was the rule of our order to go on foot.
We must deny the flesh. Look at our beloved master in this land, Father Junipero, when he was past eighty, walking from San Diego to Monterey, and all the while a running ulcer in one of his legs, for which most men would have taken to a bed, to be healed. It is a sinful fashion that is coming in, for monks to take their ease doing God's work. I can no longer walk swiftly, but I must walk all the more diligently."
While they were talking, they had been slowly moving forward, Ramona slightly in advance, gracefully bending the mustard branches, and holding them down till the Father had followed in her steps. As they came out from the thicket, she exclaimed, laughing, "There is Felipe, in the willows. I told him I was coming to meet you, and he laughed at me. Now he will see I was right."
Astonished enough, Felipe, hearing voices, looked up, and saw Ramona and the Father approaching. Throwing down the knife with which he had been cutting the willows, he hastened to meet them, and dropped on his knees, as Ramona had done, for the monk's blessing. As he knelt there, the wind blowing his hair loosely off his brow, his large brown eyes lifted in gentle reverence to the Father's face, and his face full of affectionate welcome, Ramona thought to herself, as she had thought hundreds of times since she became a woman, "How beautiful Felipe is! No wonder the Senora loves him so much! If I had been beautiful like that she would have liked me better." Never was a little child more unconscious of her own beauty than Ramona still was. All the admiration which was expressed to her in word and look she took for ****** kindness and good-will. Her face, as she herself saw it in her glass, did not please her. She compared her straight, massive black eyebrows with Felipe's, arched and delicately pencilled, and found her own ugly. The expression of gentle repose which her countenance wore, seemed to her an expression of stupidity.
"Felipe looks so bright!" she thought, as she noted his mobile changing face, never for two successive seconds the same. "There is nobody like Felipe." And when his brown eyes were fixed on her, as they so often were, in a long lingering gaze, she looked steadily back into their velvet depths with an abstracted sort of intensity which profoundly puzzled Felipe. It was this look, more than any other one thing, which had for two years held Felipe's tongue in leash, as it were, and made it impossible for him to say to Ramona any of the loving things of which his heart had been full ever since he could remember. The boy had spoken them unhesitatingly, unconsciously; but the man found himself suddenly afraid. "What is it she thinks when she looks into my eyes so?" he wondered. If he had known that the thing she was usually thinking was simply, "How much handsomer brown eyes are than blue! I wish my eyes were the color of Felipe's!" he would have perceived, perhaps, what would have saved him sorrow, if he had known it, that a girl who looked at a man thus, would be hard to win to look at him as a lover. But being a lover, he could not see this. He saw only enough to perplex and deter him.
As they drew near the house, Ramona saw Margarita standing at the gate of the garden. She was holding something white in her hands, looking down at it, and crying piteously. As she perceived Ramona, she made an eager leap forward, and then shrank back again, ****** dumb signals of distress to her. Her whole attitude was one of misery and entreaty. Margarita was, of all the maids, most beloved by Ramona. Though they were nearly of the same age, it had been Margarita who first had charge of Ramona; the nurse and her charge had played together, grown up together, become women together, and were now, although Margarita never presumed on the relation, or forgot to address Ramona as Senorita, more like friends than like mistress and maid.
"Pardon me, Father," said Ramona. "I see that Margarita there is in trouble. I will leave Felipe to go with you to the house. I will be with you again in a few moments." And kissing his hand, she flew rather than ran across the field to the foot of the garden.
Before she reached the spot, Margarita had dropped on the ground and buried her face in her hands. A mass of crumpled and stained linen lay at her feet.
"What is it? What has happened, Margarita mia?" cried Ramona, in the affectionate Spanish phrase. For answer, Margarita removed one wet hand from her eyes, and pointed with a gesture of despair to the crumpled linen. Sobs choked her voice, and she buried her face again in her hands.
Ramona stooped, and lifted one corner of the linen. An involuntary cry of dismay broke from her, at which Margarita's sobs redoubled, and she gasped out, "Yes, Senorita, it is totally ruined! It can never be mended, and it will be needed for the mass to-morrow morning.
When I saw the Father coming by your side, I prayed to the Virgin to let me die. The Senora will never forgive me."
It was indeed a sorry sight. The white linen altar-cloth, the cloth which the Senora Moreno had with her own hands made into one solid front of beautiful lace of the Mexican fashion, by drawing out part of the threads and sewing the remainder into intricate patterns, the cloth which had always been on the altar, when mass was said, since Margarita's and Ramona's earliest recollections,--there it lay, torn, stained, as if it had been dragged through muddy brambles. In silence, aghast, Ramona opened it out and held it up.
"How did it happen, Margarita?" she whispered, glancing in terror up towards the house.
