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第18章 5(1)

Having made these distinctions let us now speak of sensation in the widest sense. Sensation depends, as we have said, on a process of movement or affection from without, for it is held to be some sort of change of quality. Now some thinkers assert that like is affected only by like; in what sense this is possible and in what sense impossible, we have explained in our general discussion of acting and being acted upon.

Here arises a problem: why do we not perceive the senses themselves as well as the external objects of sense, or why without the stimulation of external objects do they not produce sensation, seeing that they contain in themselves fire, earth, and all the other elements, which are the direct or indirect objects is so of sense? It is clear that what is sensitive is only potentially, not actually. The power of sense is parallel to what is combustible, for that never ignites itself spontaneously, but requires an agent which has the power of starting ignition; otherwise it could have set itself on fire, and would not have needed actual fire to set it ablaze.

In reply we must recall that we use the word 'perceive' in two ways, for we say (a) that what has the power to hear or see, 'sees' or 'hears', even though it is at the moment asleep, and also (b) that what is actually seeing or hearing, 'sees' or 'hears'. Hence 'sense' too must have two meanings, sense potential, and sense actual.

Similarly 'to be a sentient' means either (a) to have a certain power or (b) to manifest a certain activity. To begin with, for a time, let us speak as if there were no difference between (i) being moved or affected, and (ii) being active, for movement is a kind of activity-an imperfect kind, as has elsewhere been explained.

Everything that is acted upon or moved is acted upon by an agent which is actually at work. Hence it is that in one sense, as has already been stated, what acts and what is acted upon are like, in another unlike, i.e. prior to and during the change the two factors are unlike, after it like.

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