登陆注册
37918500000028

第28章 11(2)

There must be such a naturally attached 'medium' as flesh, for no living body could be constructed of air or water; it must be something solid. Consequently it must be composed of earth along with these, which is just what flesh and its analogue in animals which have no true flesh tend to be. Hence of necessity the medium through which are transmitted the manifoldly contrasted tactual qualities must be a body naturally attached to the organism. That they are manifold is clear when we consider touching with the tongue; we apprehend at the tongue all tangible qualities as well as flavour. Suppose all the rest of our flesh was, like the tongue, sensitive to flavour, we should have identified the sense of taste and the sense of touch; what saves us from this identification is the fact that touch and taste are not always found together in the same part of the body. The following problem might be raised. Let us assume that every body has depth, i.e. has three dimensions, and that if two bodies have a third body between them they cannot be in contact with one another; let us remember that what is liquid is a body and must be or contain water, and that if two bodies touch one another under water, their touching surfaces cannot be dry, but must have water between, viz. the water which wets their bounding surfaces; from all this it follows that in water two bodies cannot be in contact with one another. The same holds of two bodies in air-air being to bodies in air precisely what water is to bodies in water-but the facts are not so evident to our observation, because we live in air, just as animals that live in water would not notice that the things which touch one another in water have wet surfaces. The problem, then, is: does the perception of all objects of sense take place in the same way, or does it not, e.g. taste and touch requiring contact (as they are commonly thought to do), while all other senses perceive over a distance? The distinction is unsound; we perceive what is hard or soft, as well as the objects of hearing, sight, and smell, through a 'medium', only that the latter are perceived over a greater distance than the former; that is why the facts escape our notice. For we do perceive everything through a medium; but in these cases the fact escapes us. Yet, to repeat what we said before, if the medium for touch were a membrane separating us from the object without our observing its existence, we should be relatively to it in the same condition as we are now to air or water in which we are immersed; in their case we fancy we can touch objects, nothing coming in between us and them. But there remains this difference between what can be touched and what can be seen or can sound; in the latter two cases we perceive because the medium produces a certain effect upon us, whereas in the perception of objects of touch we are affected not by but along with the medium; it is as if a man were struck through his shield, where the shock is not first given to the shield and passed on to the man, but the concussion of both is simultaneous.

In general, flesh and the tongue are related to the real organs of touch and taste, as air and water are to those of sight, hearing, and smell. Hence in neither the one case nor the other can there be any perception of an object if it is placed immediately upon the organ, e.g. if a white object is placed on the surface of the eye.

This again shows that what has the power of perceiving the tangible is seated inside. Only so would there be a complete analogy with all the other senses. In their case if you place the object on the organ it is not perceived, here if you place it on the flesh it is perceived; therefore flesh is not the organ but the medium of touch.

What can be touched are distinctive qualities of body as body; by such differences I mean those which characterize the elements, viz, hot cold, dry moist, of which we have spoken earlier in our treatise on the elements. The organ for the perception of these is that of touch-that part of the body in which primarily the sense of touch resides. This is that part which is potentially such as its object is actually: for all sense-perception is a process of being so affected; so that that which makes something such as it itself actually is makes the other such because the other is already potentially such. That is why when an object of touch is equally hot and cold or hard and soft we cannot perceive; what we perceive must have a degree of the sensible quality lying beyond the neutral point. This implies that the sense itself is a 'mean' between any two opposite qualities which determine the field of that sense. It is to this that it owes its power of discerning the objects in that field. What is 'in the middle' is fitted to discern; relatively to either extreme it can put itself in the place of the other. As what is to perceive both white and black must, to begin with, be actually neither but potentially either (and so with all the other sense-organs), so the organ of touch must be neither hot nor cold.

Further, as in a sense sight had for its object both what was visible and what was invisible (and there was a parallel truth about all the other senses discussed), so touch has for its object both what is tangible and what is intangible. Here by 'intangible' is meant (a) what like air possesses some quality of tangible things in a very slight degree and (b) what possesses it in an excessive degree, as destructive things do.

We have now given an outline account of each of the several senses.

同类推荐
热门推荐
  • 地狱情仇录

    地狱情仇录

    日商岛田渡边,投资中华热土。顺便寻亲人,兼把罪孽赎,罪孽深难赎,记忆耻辱柱。当年侵我中华,罪恶罄竹难书。砍头兼活埋,烧杀奸掠再剖腹。最是奇耻辱,掳作慰安(M)妇。身心彻底摧残,是人哪有忍睹?偏有日军士兵,迷恋受辱女。本是不共戴天,哪来儿女情诉?身陷人性沙漠,毒鸠亦成甘露。只因万千恶魔肆虐,难得一人良知略驻,恩怨情仇分明,恶海慈航普渡。战争将人变恶兽,人性何从复苏?漫漫半世纪,爱恨常悠悠。敌我两男女,情仇一世殊。前事君记否,后事可鉴无?
  • 盛世独宠之天玑

    盛世独宠之天玑

    前世,好友一碗汤药让她成为石女,她从身份贵重的国公府嫡女跌落成下堂弃妇,最后含恨而亡。悲愤而亡,幸得重生。这一世,她必会手刃仇人,所有害她的人,欠她的人,她誓要亲手讨回!这一世,她必会保持本心,活出自己的精彩!这一世,她也必要多生几个孩子,让那些前世看她笑话的人都睁大眼睛瞧瞧,她沈天玑并不是不能生的!呃……这什么破愿望?
  • 倾山慕影

    倾山慕影

    他是江北二十三省的总司令,权势滔天。她是寄人篱下的孤女,被出国的兄长托付到他的官邸。一袭清茶色衣裙,领口处绣着精雅的兰花,四目相对时,惊的是谁的心,乱的是谁的眼?一次次的逃离,一次次的禁锢,他为她甘愿舍弃一切,却不曾换得她回头去看他一眼。风起云涌,悲欢离合。当她拿着枪指向他的时候,他乌黑的目光里深敛似海,是一片压抑的激怒成狂,他淡淡笑起,握着她的手,将枪口指向了自己的心脏,道出了那一句;“你要想离开我,那就先打死我。”而在最后的最后,当她牵着那眉眼酷似他的小男孩,一步步的走向他时,远处的炮火轰鸣,而他的身形,却一如既往的魁伟挺拔。国破山河,儿女情长,终不过是一场过眼浮华......
  • 天行

    天行

    号称“北辰骑神”的天才玩家以自创的“牧马冲锋流”战术击败了国服第一弓手北冥雪,被誉为天纵战榜第一骑士的他,却受到小人排挤,最终离开了效力已久的银狐俱乐部。是沉沦,还是再次崛起?恰逢其时,月恒集团第四款游戏“天行”正式上线,虚拟世界再起风云!
  • 巅峰优化

    巅峰优化

    死而复生,获得巅峰优化系统。普通的丹药,能化作究极神丹!平庸的功法,可成为不世秘诀!废渣的资质,优化为万世圣体!从此,一段装逼打脸的故事慢慢展开!“什么,圣女你想优化一下那里?”“晚上到我房里来,我们晚上慢慢给你优化,嘿嘿...”苏铭不要脸的说道。
  • 淘气穿越女

    淘气穿越女

    一点征兆都没有我就这么在旅游中从现代走到了不知名的古代?还在这里碰到了现代人?这年头怎么这么多人喜欢穿啊!只是人家穿的地方都是好地方,我穿的是在山脚下……我的命好苦啊……算了,既来之则安之,先玩玩再说,难道一个现代人还玩不过古人?何况我还有强大的背景做靠山……情节虚构,切勿模仿。
  • 天行

    天行

    号称“北辰骑神”的天才玩家以自创的“牧马冲锋流”战术击败了国服第一弓手北冥雪,被誉为天纵战榜第一骑士的他,却受到小人排挤,最终离开了效力已久的银狐俱乐部。是沉沦,还是再次崛起?恰逢其时,月恒集团第四款游戏“天行”正式上线,虚拟世界再起风云!
  • 天行

    天行

    号称“北辰骑神”的天才玩家以自创的“牧马冲锋流”战术击败了国服第一弓手北冥雪,被誉为天纵战榜第一骑士的他,却受到小人排挤,最终离开了效力已久的银狐俱乐部。是沉沦,还是再次崛起?恰逢其时,月恒集团第四款游戏“天行”正式上线,虚拟世界再起风云!
  • 慧月奇行记

    慧月奇行记

    学霸齐月乃著名“木头美人”,言语木讷、不解风情,毕业后也不负众望的找不到工作,无奈靠写稿糊口。七年后。古文化研究所的研究员齐月得知,恩师+老板吴潇教授神秘昏迷,研究院组织考察队前往神秘地域考察。——齐月研究员,你能不参加吗?!天旋地转,天昏地暗,天啊天啊,居然顺着时光隧道来到全旧古代异世?天不薄我,步步高升,欧耶欧耶。咦?小屿你怎么在这?为何我木有主角光环?为何老天不赐予我金手指?啊!!这不科学——西疆大军粮草押运,邪气四溢上古凶兽,蛮荒部落番冢士兵,野蛮智慧的巨猿,惊魂纠缠的夜叉盗药,风云变幻的古国战争,远古文明的操控.......一幕幕毫厘之间生死挣扎,在充满彪悍与权谋的古国异世,弱小无助的废柴学霸不得不努力奋斗,从此踏上茫茫之行。试看啥也没有的齐爵爷摸爬滚打,步步晋级,风光无限。可是,白屿,小屿——这一世,你会重新喜欢上齐月姐吗?
  • 种出个超科技帝国

    种出个超科技帝国

    美女记者一脸娇羞:“叶老师,你觉得自己现在最大的成就是什么呢?”叶天:“种树,我已经把树种遍了银河系。” 美女记者不停的点头:“听说你的实力,已经在银河系登顶,那你还有什么理想吗?”叶天:“种树啊,我要把我的树,种遍整个宇宙!”“那,叶老师,你为什么这么爱种树呢?”?叶天微眯着眼,笑看着美女记者:“美女,你多大了?”?美女记者怯生生看了叶天一眼:“我刚满180……”?叶天哈哈大笑:“180,多在自家门口种几棵赛星树吧,它们至少能让你活到1800。” 作者强烈提醒,想要赛星树的娃子们,可以加群。一八一七,九七一一七。