'It is as you think, R. W.; not as I do.' With those submissive words, the dutiful wife preceded him down a few stairs to a little basement front room, half kitchen, half parlour, where a girl of about nineteen, with an exceedingly pretty figure and face, but with an impatient and petulant expression both in her face and in her shoulders (which in her *** and at her age are very expressive of discontent), sat playing draughts with a younger girl, who was the youngest of the House of Wilfer. Not to encumber this page by telling off the Wilfers in detail and casting them up in the gross, it is enough for the present that the rest were what is called 'out in the world,' in various ways, and that they were Many. So many, that when one of his dutiful children called in to see him, R. Wilfer generally seemed to say to himself, after a little mental arithmetic, 'Oh! here's another of 'em!' before adding aloud, 'How de do, John,' or Susan, as the case might be.
'Well Piggywiggies,' said R. W., 'how de do to-night? What I was thinking of, my dear,' to Mrs Wilfer already seated in a corner with folded gloves, 'was, that as we have let our first floor so well, and as we have now no place in which you could teach pupils even if pupils--'
'The milkman said he knew of two young ladies of the highest respectability who were in search of a suitable establishment, and he took a card,' interposed Mrs Wilfer, with severe monotony, as if she were reading an Act of Parliament aloud. 'Tell your father whether it was last Monday, Bella.'
'But we never heard any more of it, ma,' said Bella, the elder girl.
'In addition to which, my dear,' her husband urged, 'if you have no place to put two young persons into--'
'Pardon me,' Mrs Wilfer again interposed; 'they were not young persons. Two young ladies of the highest respectability. Tell your father, Bella, whether the milkman said so.'
'My dear, it is the same thing.'
'No it is not,' said Mrs Wilfer, with the same impressive monotony.
'Pardon me!'
'I mean, my dear, it is the same thing as to space. As to space. If you have no space in which to put two youthful fellow-creatures, however eminently respectable, which I do not doubt, where are those youthful fellow-creatures to be accommodated? I carry it no further than that. And solely looking at it,' said her husband, ****** the stipulation at once in a conciliatory, complimentary, and argumentative tone--'as I am sure you will agree, my love--from a fellow-creature point of view, my dear.'
'I have nothing more to say,' returned Mrs Wilfer, with a meek renunciatory action of her gloves. 'It is as you think, R. W.;not as I do.'
Here, the huffing of Miss Bella and the loss of three of her men at a swoop, aggravated by the coronation of an opponent, led to that young lady's jerking the draught-board and pieces off the table: which her sister went down on her knees to pick up.
'Poor Bella!' said Mrs Wilfer.
'And poor Lavinia, perhaps, my dear?' suggested R. W.
'Pardon me,' said Mrs Wilfer, 'no!'
It was one of the worthy woman's specialities that she had an amazing power of gratifying her splenetic or wordly-minded humours by extolling her own family: which she thus proceeded, in the present case, to do.
'No, R. W. Lavinia has not known the trial that Bella has known.
The trial that your daughter Bella has undergone, is, perhaps, without a parallel, and has been borne, I will say, Nobly. When you see your daughter Bella in her black dress, which she alone of all the family wears, and when you remember the circumstances which have led to her wearing it, and when you know how those circumstances have been sustained, then, R. W., lay your head upon your pillow and say, "Poor Lavinia!"'
Here, Miss Lavinia, from her kneeling situation under the table, put in that she didn't want to be 'poored by pa', or anybody else.
'I am sure you do not, my dear,' returned her mother, 'for you have a fine brave spirit. And your sister Cecilia has a fine brave spirit of another kind, a spirit of pure devotion, a beau-ti-ful spirit! The self-sacrifice of Cecilia reveals a pure and womanly character, very seldom equalled, never surpassed. I have now in my pocket a letter from your sister Cecilia, received this morning--received three months after her marriage, poor child!--in which she tells me that her husband must unexpectedly shelter under their roof his reduced aunt. "But I will be true to him, mamma," she touchingly writes, "I will not leave him, I must not forget that he is my husband. Let his aunt come!" If this is not pathetic, if this is not woman's devotion--!' The good lady waved her gloves in a sense of the impossibility of saying more, and tied the pocket-handkerchief over her head in a tighter knot under her chin.
Bella, who was now seated on the rug to warm herself, with her brown eyes on the fire and a handful of her brown curls in her mouth, laughed at this, and then pouted and half cried.
'I am sure,' said she, 'though you have no feeling for me, pa, I am one of the most unfortunate girls that ever lived. You know how poor we are' (it is probable he did, having some reason to know it!), 'and what a glimpse of wealth I had, and how it melted away, and how I am here in this ridiculous mourning--which I hate!--a kind of a widow who never was married. And yet you don't feel for me.--Yes you do, yes you do.'
This abrupt change was occasioned by her father's face. She stopped to pull him down from his chair in an attitude highly favourable to strangulation, and to give him a kiss and a pat or two on the cheek.
'But you ought to feel for me, you know, pa.'
'My dear, I do.'
'Yes, and I say you ought to. If they had only left me alone and told me nothing about it, it would have mattered much less. But that nasty Mr Lightwood feels it his duty, as he says, to write and tell me what is in reserve for me, and then I am obliged to get rid of George Sampson.'
Here, Lavinia, rising to the surface with the last draughtman rescued, interposed, 'You never cared for George Sampson, Bella.'
