DON JUAN. Sacred and holy, if you like, Ana, but not personally friendly. Your relation to God is sacred and holy: dare you call it personally friendly? In the *** relation the universal creative energy, of which the parties are both the helpless agents, over-rides and sweeps away all personal considerations and dispenses with all personal relations. The pair may be utter strangers to one another, speaking different languages, differing in race and color, in age and disposition, with no bond between them but a possibility of that fecundity for the sake of which the Life Force throws them into one another's arms at the exchange of a glance. Do we not recognize this by allowing marriages to be made by parents without consulting the woman?
Have you not often expressed your disgust at the immorality of the English nation, in which women and men of noble birth become acquainted and court each other like peasants? And how much does even the peasant know of his bride or she of him before he engages himself? Why, you would not make a man your lawyer or your family doctor on so slight an acquaintance as you would fall in love with and marry him!
ANA. Yes, Juan: we know the libertine's philosophy. Always ignore the consequences to the woman.
DON JUAN. The consequences, yes: they justify her fierce grip of the man. But surely you do not call that attachment a sentimental one. As well call the policeman's attachment to his prisoner a love relation.
ANA. You see you have to confess that marriage is necessary, though, according to you, love is the slightest of all the relations.
DON JUAN. How do you know that it is not the greatest of all the relations? far too great to be a personal matter. Could your father have served his country if he had refused to kill any enemy of Spain unless he personally hated him? Can a woman serve her country if she refuses to marry any man she does not personally love? You know it is not so: the woman of noble birth marries as the man of noble birth fights, on political and family grounds, not on personal ones.
THE STATUE. [impressed] A very clever point that, Juan: I must think it over. You are really full of ideas. How did you come to think of this one?
DON JUAN. I learnt it by experience. When I was on earth, and made those proposals to ladies which, though universally condemned, have made me so interesting a hero of legend, I was not infrequently met in some such way as this. The lady would say that she would countenance my advances, provided they were honorable. On inquiring what that proviso meant, I found that it meant that I proposed to get possession of her property if she had any, or to undertake her support for life if she had not; that I desired her continual companionship, counsel and conversation to the end of my days, and would bind myself under penalties to be always enraptured by them; and, above all, that I would turn my back on all other women for ever for her sake. I did not object to these conditions because they were exorbitant and inhuman: it was their extraordinary irrelevance that prostrated me. I invariably replied with perfect frankness that I had never dreamt of any of these things; that unless the lady's character and intellect were equal or superior to my own, her conversation must degrade and her counsel mislead me; tha t her constant companionship might, for all I knew, become intolerably tedious to me; that I could not answer for my feelings for a week in advance, much less to the end of my life; that to cut me off from all natural and unconstrained relations with the rest of my fellow creatures would narrow and warp me if I submitted to it, and, if not, would bring me under the curse of clandestinity; that, finally, my proposals to her were wholly unconnected with any of these matters, and were the outcome of a perfectly ****** impulse of my manhood towards her womanhood.
ANA. You mean that it was an immoral impulse.
DON JUAN. Nature, my dear lady, is what you call immoral. I blush for it; but I cannot help it. Nature is a pandar, Time a wrecker, and Death a murderer. I have always preferred to stand up to those facts and build institutions on their recognition. You prefer to propitiate the three devils by proclaiming their chastity, their thrift, and their loving kindness; and to base your institutions on these flatteries. Is it any wonder that the institutions do not work smoothly?
THE STATUE. What used the ladies to say, Juan?
DON JUAN. Oh, come! Confidence for confidence. First tell me what you used to say to the ladies.
THE STATUE. I! Oh, I swore that I would be faithful to the death; that I should die if they refused me; that no woman could ever be to me what she was--
ANA. She? Who?
THE STATUE. Whoever it happened to be at the time, my dear. I had certain things I always said. One of them was that even when I was eighty, one white hair of the woman I loved would make me tremble more than the thickest gold tress from the most beautiful young head. Another was that I could not bear the thought of anyone else being the mother of my children.
DON JUAN. [revolted] You old rascal!
THE STATUE. [Stoutly] Not a bit; for I really believed it with all my soul at the moment. I had a heart: not like you. And it was this sincerity that made me successful.
DON JUAN. Sincerity! To be fool enough to believe a ramping, stamping, thumping lie: that is what you call sincerity! To be so greedy for a woman that you deceive yourself in your eagerness to deceive her: sincerity, you call it!
THE STATUE. Oh, damn your sophistries! I was a man in love, not a lawyer. And the women loved me for it, bless them!
