She shuddered and turned round; but applause broke forth and drowned the morose exclamation.
It even effaced it so completely from her mind, that she continued to question her goat.
"Djali, what does Master Guichard Grand-Remy, captain of the pistoliers of the town do, at the procession of Candlemas?"Djali reared himself on his hind legs, and began to bleat, marching along with so much dainty gravity, that the entire circle of spectators burst into a laugh at this parody of the interested devoutness of the captain of pistoliers.
"Djali," resumed the young girl, emboldened by her growing success, "how preaches Master Jacques Charmolue, procurator to the king in the ecclesiastical court?"The goat seated himself on his hind quarters, and began to bleat, waving his fore feet in so strange a manner, that, with the exception of the bad French, and worse Latin, Jacques Charmolue was there complete,--gesture, accent, and attitude.
And the crowd applauded louder than ever.
"Sacrilege! profanation!" resumed the voice of the bald man.
The gypsy turned round once more.
"Ah!" said she, "'tis that villanous man!" Then, thrusting her under lip out beyond the upper, she made a little pout, which appeared to be familiar to her, executed a pirouette on her heel, and set about collecting in her tambourine the gifts of the multitude.
Big blanks, little blanks, targes* and eagle liards showered into it.
* A blank: an old French coin; six blanks were worth two sous and a half; targe, an ancient coin of Burgundy, a farthing.
All at once, she passed in front of Gringoire. Gringoire put his hand so recklessly into his pocket that she halted.
"The devil!" said the poet, finding at the bottom of his pocket the reality, that is, to say, a void. In the meantime, the pretty girl stood there, gazing at him with her big eyes, and holding out her tambourine to him and waiting. Gringoire broke into a violent perspiration.
If he had all Peru in his pocket, he would certainly have given it to the dancer; but Gringoire had not Peru, and, moreover, America had not yet been discovered.
Happily, an unexpected incident came to his rescue.
"Will you take yourself off, you Egyptian grasshopper?"cried a sharp voice, which proceeded from the darkest corner of the Place.
The young girl turned round in affright. It was no longer the voice of the bald man; it was the voice of a woman, bigoted and malicious.
However, this cry, which alarmed the gypsy, delighted a troop of children who were prowling about there.
"It is the recluse of the Tour-Roland," they exclaimed, with wild laughter, "it is the sacked nun who is scolding!
Hasn't she supped? Let's carry her the remains of the city refreshments!"All rushed towards the Pillar House.
In the meanwhile, Gringoire had taken advantage of the dancer's embarrassment, to disappear. The children's shouts had reminded him that he, also, had not supped, so he ran to the public buffet. But the little rascals had better legs than he; when he arrived, they had stripped the table. There remained not so much as a miserable ~camichon~ at five sous the pound. Nothing remained upon the wall but slender fleurs-de-lis, mingled with rose bushes, painted in 1434 by Mathieu Biterne. It was a meagre supper.
It is an unpleasant thing to go to bed without supper, it is a still less pleasant thing not to sup and not to know where one is to sleep. That was Gringoire's condition. No supper, no shelter; he saw himself pressed on all sides by necessity, and he found necessity very crabbed. He had long ago discovered the truth, that Jupiter created men during a fit of misanthropy, and that during a wise man's whole life, his destiny holds his philosophy in a state of siege. As for himself, he had never seen the blockade so complete; he heard his stomach sounding a parley, and he considered it very much out of place that evil destiny should capture his philosophy by famine.
This melancholy revery was absorbing him more and more, when a song, quaint but full of sweetness, suddenly tore him from it. It was the young gypsy who was singing.
Her voice was like her dancing, like her beauty. It was indefinable and charming; something pure and sonorous, aerial, winged, so to speak. There were continual outbursts, melodies, unexpected cadences, then ****** phrases strewn with aerial and hissing notes; then floods of scales which would have put a nightingale to rout, but in which harmony was always present; then soft modulations of octaves which rose and fell, like the bosom of the young singer. Her beautiful face followed, with singular mobility, all the caprices of her song, from the wildest inspiration to the chastest dignity.
One would have pronounced her now a mad creature, now a queen.
The words which she sang were in a tongue unknown to Gringoire, and which seemed to him to be unknown to herself, so little relation did the expression which she imparted to her song bear to the sense of the words. Thus, these four lines, in her mouth, were madly gay,--~Un cofre de gran riqueza Hallaron dentro un pilar, Dentro del, nuevas banderas Con figuras de espantar~.** A coffer of great richness In a pillar's heart they found, Within it lay new banners, With figures to astound.
And an instant afterwards, at the accents which she imparted to this stanza,--~Alarabes de cavallo Sin poderse menear, Con espadas, y los cuellos, Ballestas de buen echar~, Gringoire felt the tears start to his eyes. Nevertheless, her song breathed joy, most of all, and she seemed to sing like a bird, from serenity and heedlessness.
The gypsy's song had disturbed Gringoire's revery as the swan disturbs the water. He listened in a sort of rapture, and forgetfulness of everything. It was the first moment in the course of many hours when he did not feel that he suffered.
The moment was brief.
The same woman's voice, which had interrupted the gypsy's dance, interrupted her song.
"Will you hold your tongue, you cricket of hell?" it cried, still from the same obscure corner of the place.
