登陆注册
36840000000040

第40章 Have the English any Sense of Humour?(2)

There is, however, one vital difference between American and English audiences which would be apt to discourage at the outset any American lecturer who might go to England. The English audiences, from the nature of the way in which they have been brought together, expect more. In England they still associate lectures with information. We don't. Our American lecture audiences are, in nine cases out of ten, organised by a woman's club of some kind and drawn not from the working class, but from--what shall we call it?--the class that doesn't have to work, or, at any rate, not too hard. It is largely a social audience, well educated without being "highbrow," and tolerant and kindly to a degree. In fact, what the people mainly want is to see the lecturer. They have heard all about G. K. Chesterton and Hugh Walpole and John Drinkwater, and so when these gentlemen come to town the woman's club want to have a look at them, just as the English people, who are all crazy about animals, flock to the zoo to look at a new giraffe. They don't expect the giraffe to do anything in particular. They want to see it, that's all. So with the American woman's club audience. After they have seen Mr. Chesterton they ask one another as they come out--just as an incidental matter--"Did you understand his lecture?" and the answer is, "I can't say I did." But there is no malice about it. They can now go and say that they have seen Mr. Chesterton; that's worth two dollars in itself. The nearest thing to this attitude of mind that I heard of in England was at the City Temple in London, where they have every week a huge gathering of about two thousand people, to listen to a (so-called) popular lecture. When I was there I was told that the person who had preceded me was Lord Haldane, who had lectured on Einstein's Theory of Relativity. I said to the chairman, "Surely this kind of audience couldn't understand a lecture like that!" He shook his head. "No," he said, "they didn't understand it, but they all enjoyed it."

I don't mean to imply by what I said above that American lecture audiences do not appreciate good things or that the English lecturers who come to this continent are all giraffes. On the contrary: when the audience finds that Chesterton and Walpole and Drinkwater, in addition to being visible, are also singularly interesting lecturers, they are all the better pleased. But this doesn't alter the fact that they have come primarily to see the lecturer.

Not so in England. Here a lecture (outside London) is organised on a much sterner footing. The people are there for information. The lecture is organised not by idle, amiable, charming women, but by a body called, with variations, the Philosophical Society. From experience I should define an English Philosophical Society as all the people in town who don't know anything about philosophy. The academic and university classes are never there. The audience is only of plainer folk. In the United States and Canada at any evening lecture a large sprinkling of the audience are in evening dress. At an English lecture (outside of London) none of them are; philosophy is not to be wooed in such a garb. Nor are there the same commodious premises, the same bright lights, and the same atmosphere of gaiety as at a society lecture in America. On the contrary, the setting is a gloomy one. In England, in winter, night begins at four in the afternoon. In the manufacturing towns of the Midlands and the north (which is where the philosophical societies flourish) there is always a drizzling rain and wet slop underfoot, a bedraggled poverty in the streets, and a dimness of lights that contrasts with the glare of light in an American town. There is no visible sign in the town that a lecture is to happen, no placards, no advertisements, nothing. The lecturer is conducted by a chairman through a side door in a dingy building (The Institute, established 1840), and then all of a sudden in a huge, dim hall--there sits the Philosophical Society. There are a thousand of them, but they sit as quiet as a prayer meeting. They are waiting to be fed--on information.

Now I don't mean to say that the Philosophical Society are not a good audience. In their own way they're all right. Once the Philosophical Society has decided that a lecture is humorous they do not stint their laughter. I have had many times the satisfaction of seeing a Philosophical Society swept away from its moorings and tossing in a sea of laughter, as generous and as whole-hearted as anything we ever see in America.

But they are not so willing to begin. With us the chairman has only to say to the gaily dressed members of the Ladies' Fortnightly Club, "Well, ladies, I'm sure we are all looking forward very much to Mr. Walpole's lecture," and at once there is a ripple of applause, and a responsive expression on a hundred charming faces.

Not so the Philosophical Society of the Midlands. The chairman rises.

He doesn't call for silence. It is there, thick. "We have with us to-night," he says, "a man whose name is well known to the Philosophical Society" (here he looks at his card), "Mr. Stephen Leacock." (Complete silence.) "He is a professor of political economy at--" Here he turns to me and says, "Which college did you say?" I

answer quite audibly in the silence, "At McGill." "He is at McGill,"

says the chairman. (More silence.) "I don't suppose, however, ladies and gentlemen, that he's come here to talk about political economy."

This is meant as a jest, but the audience takes it as a threat.

"However, ladies and gentlemen, you haven't come here to listen to me" (this evokes applause, the first of the evening), "so without more ado" (the man always has the impression that there's been a lot of "ado," but I never see any of it) "I'll now introduce Mr.

Leacock." (Complete silence.)

Nothing of which means the least harm. It only implies that the Philosophical Society are true philosophers in accepting nothing unproved. They are like the man from Missouri. They want to be shown.

同类推荐
  • 百丈清规证义记

    百丈清规证义记

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 大庄严经论

    大庄严经论

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 南岳思大禅师立誓愿文

    南岳思大禅师立誓愿文

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 四宜堂集

    四宜堂集

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 春答

    春答

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
热门推荐
  • 重生之家在东北

    重生之家在东北

    一个不算成功的生意人,重生回了八十年代的东北。改革开放的大潮正扑面而来,风口近在眼前,作为一名重生者,总不能飞不过猪吧。既然回来了,那就做个“不爱钱”的人。——本故事纯属虚构。欢迎各位读者老爷用各种票票尽情的抽作者的脸。新书《精灵的正确打开方式》已经上线,欢迎支持
  • 新编科技大博览(A卷)——穿越时空的现代交通

    新编科技大博览(A卷)——穿越时空的现代交通

    现代社会的飞速发展很大程度上得益于科技的进步,“科技是第一生产力”已日益成为人们的共识。但是,由于现代科学的分工越来越细,众多的学科令人目不暇接。对于处于学习阶段的广大青少年而言,难免有“乱花渐欲迷人眼”的困扰。有鉴于此,我们组织了数十名在高等院校、教育科研机构的工作、有着丰富的青少年教育的专家学者,编选了这套《新编科技大博览》。
  • 嗜道巅峰

    嗜道巅峰

    他的大起,他的大落,一点点在显现,他也在一点点变得成熟,变得离巅峰更近了、、、、、、、、、
  • 九苍传说

    九苍传说

    这个世界本就是一所监狱,存在即证明有罪。扶桑花开,天地大劫。只因上仙取丹?好大的仙威啊!我要踏破这九苍之上,换万界清白。
  • 武战道之诅咒灵印

    武战道之诅咒灵印

    误闯禁地的女巫齐久舒带着诅咒穿越到“武战道”中,必须完成任务才能回到现实世界。此时机兽世界新增两大部落,已经威胁到各个旧部族……新增的两大部落首领元星绝身世扑朔迷离,他一心一意要复活的雕像少年是谁?红印标的出现控制住时光之城的士兵,叛徒是谁?身居水晶球中的少女为什么要将久舒杀死?齐久舒:“如果能让这个世界不再有战争,我愿用生命交换……”(只是借用了武战道中的人物和背景的脑洞同人小说,可能原著与关系不大,不喜勿喷哦~~)
  • 我家崽崽三岁半

    我家崽崽三岁半

    惜惜是一只来自异世的小精灵。可怜的她被族长送到了一个小幼崽的身体里。她有一个超级厉害的总裁爸爸。一个特殊部门的部长大伯伯。一个特别帅气的影帝小叔叔。一个美丽动人的设计师大伯母。一个慈祥和蔼的教授奶奶。一个严肃庄严的军人爷爷。但他们都有一个共同的特点就是超级宠她!
  • 古玉传奇

    古玉传奇

    大陆之上一片漂浮在半空万年五洲突然有了动静五洲之周四方城天狐城因为地理优势率先出动。那凄厉的龙鸣究竟是不是这平凡的少年,这少年口中说的寻找之人又是何人。这片大陆又将面对什么?魔族是否会依旧保持沉默?还是说早已蠢蠢欲动。各妖族都将如何处理这位龙神大人?人族究竟会不会将着顶力助手双手奉上?本小说没有固定主角,每一个出场都是主角,每一个主角都有故事。
  • 什么小奶狼

    什么小奶狼

    本文章是一本关于TNT的同人文,希望各位读者喜欢。
  • 倾世魅公主

    倾世魅公主

    她们是黑白两道所向披靡的三位神秘人物,拥有超强大的自身力量。当她们转学,如谜一般出现在他们身边后,一切都发生了变化。不过是参赛,却被人当场追杀;不过是告白,却遭人陷害;不过是救人,却又身陷囹圄!靠,这学校里怎么这么多破事啊!看她们如何征服这个厄运连连的学园!
  • 重生到八零年

    重生到八零年

    前世知道同父异母的妹妹和丈夫厮混在一起,急火攻心难产而亡,竟然重生就装上父亲情人带女儿来家里闹事儿。敢在我家撒野,让你叫苦连天。房子必须是我们的,钱也必须是。没了父亲就当乞丐去?笑话!我可是重生回八十年代的,拿出个二十一世纪的食物就能暴富!前世的仇,今生的怨,一起报!--情节虚构,请勿模仿