"I can for this part of it. But what stumps me is the mountain range three thousand feet high, crossing the desert and the canyon just above where we crossed the river. How did the river cut through that without the help of a split or earthquake?""I'll admit that is a poser to me as well as to you. But Isuppose Wallace could explain it as erosion. He claims this whole western country was once under water, except the tips of the Sierra Nevada mountains. There came an uplift of the earth's crust, and the great inland sea began to run out, presumably by way of the Colorado. In so doing it cut out the upper canyon, this gorge eighteen miles wide. Then came a second uplift, giving the river a much greater impetus toward the sea, which cut out the second, or marble canyon. Now as to the mountain range crossing the canyon at right angles. It must have come with the second uplift. If so, did it dam the river back into another inland sea, and then wear down into that red perpendicular gorge we remember so well? Or was there a great break in the fold of granite, which let the river continue on its way? Or was there, at that particular point, a softer stone, like this limestone here, which erodes easily?""You must ask somebody wiser than I."
"Well, let's not perplex our minds with its origin. It is, and that's enough for any mind. Ah! listen! Now you will hear my Singing Cliffs."From out of the darkening shadows murmurs rose on the softly rising wind. This strange music had a depressing influence; but it did not fill the heart with sorrow, only touched it lightly.
And when, with the dying breeze, the song died away, it left the lonely crags lonelier for its death.
The last rosy gleam faded from the tip of Point Sublime; and as if that were a signal, in all the clefts and canyons below, purple, shadowy clouds marshaled their forces and began to sweep upon the battlements, to swing colossal wings into amphitheaters where gods might have warred, slowly to enclose the magical sentinels. Night intervened, and a moving, changing, silent chaos pulsated under the bright stars.
"How infinite all this is! How impossible to understand!" Iexclaimed.
"To me it is very ******," replied my comrade. "The world is strange. But this canyon--why, we can see it all! I can't make out why people fuss so over it. I only feel peace. It's only bold and beautiful, serene and silent."With the words of this quiet old plainsman, my sentimental passion shrank to the true appreciation of the scene. Self passed out to the recurring, soft strains of cliff song. I had been reveling in a species of indulgence, imagining I was a great lover of nature, building poetical illusions over storm-beaten peaks. The truth, told by one who had lived fifty years in the solitudes, among the rugged mountains, under the dark trees, and by the sides of the lonely streams, was the ****** interpretation of a spirit in harmony with the bold, the beautiful, the serene, the silent.
He meant the Grand Canyon was only a mood of nature, a bold promise, a beautiful record. He meant that mountains had sifted away in its dust, yet the canyon was young. Man was nothing, so let him be humble. This cataclysm of the earth, this playground of a river was not inscrutable; it was only inevitable--as inevitable as nature herself. Millions of years in the bygone ages it had lain serene under a half moon; it would bask silent under a rayless sun, in the onward edge of time.
It taught simplicity, serenity, peace. The eye that saw only the strife, the war, the decay, the ruin, or only the glory and the tragedy, saw not all the truth. It spoke simply, though its words were grand: "My spirit is the Spirit of Time, of Eternity, of God. Man is little, vain, vaunting. Listen. To-morrow he shall be gone. Peace! Peace!"
