What would she think if it were Lise? She could not then achieve a sense of identity; it was as though she had partaken of some philtre lulling her, inhibiting her power to grasp the fact in its enormity. And little by little grew on her the realization of what all along she had known, that the spell of these surroundings to which she had surrendered was an expression of the man himself. He was the source of it. More and more, as he talked, his eyes troubled and stirred her; the touch of his hand, as he reached across the table and laid it on hers, burned her. When the waiters had left them alone she could stand the strain no longer, and she rose and strayed about the room, examining the furniture, the curtains, the crystal pendants, faintly pink, that softened and diffused the light; and she paused before the grand piano in the corner.
"I'd like to be able to play!" she said.
"You can learn," he told her.
"I'm too old!"
He laughed. And as he sat smoking his eyes followed her ceaselessly.
Above the sofa hung a large print of the Circus Maximus, with crowded tiers mounting toward the sky, and awninged boxes where sat the Vestal Virgins and the Emperor high above a motley, serried group on the sand.
At the mouth of a tunnel a lion stood motionless, menacing, regarding them. The picture fascinated Janet.
"It's meant to be Rome, isn't it?" she asked.
"What? That? I guess so." He got up and came over to her. "Sure," he said. "I'm not very strong on history, but I read a book once, a novel, which told how those old fellows used to like to see Christians thrown to the lions just as we like to see football games. I'll get the book again--we'll read it together."
Janet shivered.... "Here's another picture," he said, turning to the other side of the room. It was, apparently, an engraved copy of a modern portrait, of a woman in evening dress with shapely arms and throat and a small, aristocratic head. Around her neck was hung a heavy rope of pearls.
"Isn't she beautiful!" Janet sighed.
"Beautiful!" He led her to the mirror. "Look!" he said. "I'll buy you pearls, Janet, I want to see them gleaming against your skin. She can't compare to you. I'll--I'll drape you with pearls."
"No, no," she cried. "I don't want them, Claude. I don't want them.
Please!" She scarcely knew what she was saying. And as she drew away from him her hands went out, were pressed together with an imploring, supplicating gesture. He seized them. His nearness was suffocating her, she flung herself into his arms, and their lips met in a long, swooning kiss. She began instinctively but vainly to struggle, not against him--but against a primal thing stronger than herself, stronger than he, stronger than codes and conventions and institutions, which yet she craved fiercely as her being's fulfilment. It was sweeping them dizzily --whither? The sheer sweetness and terror of it!
"Don't, don't!" she murmured desperately. "You mustn't!"
"Janet--we're going to be married, sweetheart,--just as soon as we can.
Won't you trust me? For God's sake, don't be cruel. You're my wife, now--"
His voice seemed to come from a great distance. And from a great distance, too, her own in reply, drowned as by falling waters.
"Do you love me? --will you love me always--always?"
And he answered hoarsely, "Yes--always--I swear it, Janet." He had found her lips again, he was pulling her toward a door on the far side of the room, and suddenly, as he opened it, her resistance ceased....
The snow made automobiling impossible, and at half past nine that evening Ditmar had escorted Janet to the station in a cab, and she had taken the train for Hampton. For a while she sat as in a trance. She knew that something had happened, something portentous, cataclysmic, which had irrevocably changed her from the Janet Bumpus who had left Hampton that same morning--an age ago. But she was unable to realize the metamorphosis. In the course of a single day she had lived a lifetime, exhausted the range of human experience, until now she was powerless to feel any more. The car was filled with all sorts and conditions of people returning to homes scattered through the suburbs and smaller cities north of Boston--a mixed, Sunday-night crowd; and presently she began, in a detached way, to observe them. Their aspects, their speech and manners had the queer effect of penetrating her consciousness without arousing the emotional judgments of approval or disapproval which normally should have followed. Ordinarily she might have felt a certain sympathy for the fragile young man on the seat beside her who sat moodily staring through his glasses at the floor: and the group across the aisle would surely have moved her to disgust. Two couples were seated vis-a-vis, the men apparently ****** fun of a "pony" coat one of the girls was wearing. In spite of her shrieks, which drew general attention, they pulled it from her back--an operation regarded by the conductor himself with tolerant amusement. Whereupon her companion, a big, blond Teuton with an inane guffaw, boldly thrust an arm about her waist and held her while he presented the tickets. Janet beheld all this as one sees dancers through a glass, without hearing the music.
Behind her two men fell into conversation.
"I guess there's well over a foot of snow. I thought we'd have an open winter, too."
"Look out for them when they start in mild!"
"I was afraid this darned road would be tied up if I waited until morning. I'm in real estate, and there's a deal on in my town I've got to watch every minute...."
Even the talk between two slouch-hatted millhands, foreigners, failed at the time to strike Janet as having any significance. They were discussing with some heat the prospect of having their pay reduced by the fifty-four hour law which was to come into effect on Monday. They denounced the mill owners.
"They speed up the machine and make work harder," said one. "I think we goin' to have a strike sure."
"Bad sisson too to have strike," replied the second pessimistically. "It will be cold winter, now."
