登陆注册
37890400000026

第26章

The original unity of purpose and firmness of distinction are even more broken up when we look at the criminal and the police law where they touch villainage. In the criminal law of the feudal epoch there is hardly any distinction between free men and villains. In point of amercements there is the well-known difference as to the 'contenement' of a free landholder, a merchant and a villain, but this difference is prompted not by privilege but by the diversity of occupations. The Dialogus de Scaccario shows that villains being reputed English are in a lower position than free men as regards the presumption of Englishry and the payment of the murder-fine,* but this feature seems to have become obliterated in the thirteenth century. In some cases corporal punishment may have differed according to the rank of the culprit, and the formalities of ordeal were certainly different.* The main fact remains, that both villains and free men were alike able to prosecute anybody by way of 'appeal'* for injury to their life, honour, and even property,* and equally liable to be punished and prosecuted for offences of any kind.

Their equal right was completely recognized by the criminal law, and as a natural sequence of this, the pleas of the crown generally omit to take any notice of the status of parties connected with them. One may read through Mr Maitland's collection of Pleas of the Crown edited for the Selden Society, or through his book of Gloucestershire pleas, without coming across any but exceptional and quite accidental mentions of villainage. In fact were we to form our view of the condition of England exclusively on the material afforded by such documents, we might well believe that the whole class was all but an extinct one. One glance at Assize Rolls or at Cartularies would teach us better. Still the silence of the Corona Rolls is most eloquent.

It shows convincingly that the distinction hardly influenced criminal law at all.

It is curious that, as regards police, villains are grouped under an institution which, even by its name, according to the then accepted etymology, was essentially a free institution. The system of frank pledge (plegium liberale), which should have included every one 'worthy of his were and his wite,' is, as a matter of fact, a system which all through the feudal period is chiefly composed of villains. Free men possessed of land are not obliged to join the tithing because they are amenable to law which has a direct hold on their land,* and so the great mass of free men appear to be outside these arrangements, for the police representation of the free, or, putting it the other way, feudal serfs actually seem to represent the bulk of free society. The thirteenth-century arrangements do not afford a clue to such paradoxes, and one has to look for explanation to the his tory of the classes.

The frankpledge system is a most conspicuous link between both sections of society in this way also, that it directly connects the subjugated population with the hundred court, which is the starting-point of free judicial organisation. Twice a year the whole of this population, with very few exceptions, has to meet in the hundred in order to verify the working of the tithings. Besides this, the class of villains must appear by representatives in the ordinary tribunals of the hundred and the shire: the reeve and the four men, mostly unfree men,* with their important duties in the administration of justice, serve as a counterpoise to the exclusive employment of 'liberi et legales homines' on juries.

And now I come to the most intricate and important part of the subject -- to the civil rights and disabilities of the villain. After what has been said of the villain in other respects, one may be prepared to find that his disabilities were by no means so complete as the strict operation of general rules would have required. The villain was able in many cases to do valid civil acts, to acquire property and to defend it in his own name. It is true that, both in theory and in practice, it was held that whatever was acquired by the bondman was acquired by the lord. The bondman could not buy anything but with his lord's money, as he had no money or chattels of his own.* But the working of these rules was limited by the medieval doctrine of possession. Land or goods acquired by the serf do not eo ipso lapse into his lord's possession, but only if the latter has taken them into his hand.* If the lord has not done so for any reason, for want of time, or carelessness, or because he did not choose to do so, the bondman is as good as the owner in respect of third persons. He can give away* or otherwise alienate land or chattels, he has the assize of novel disseisin to defend the land, and leaves the assize of mort d'ancestor to his heirs. In this case it would be no good plea to object that the plaintiff is a villain. In fact this objection can be raised by a third person only with the addition that, as villain, the plaintiff does not hold in his own name, but in the name of his lord.* Athird person cannot except against a plaintiff merely on the ground of his personal status. As to third persons, a villain is said to be free and capable to sue all actions.* This of course does not mean that he has any action for recovering or defending his possession of the tenements which he holds in villainage, but this disability is no consequence of his servile blood, for he shares it with the free man who holds in villainage; it is a consequence of the doctrine that the possession of the tenant in villainage is in law the possession of him who has the freehold.

同类推荐
  • 花月尺牍

    花月尺牍

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 玄圃山灵秘录

    玄圃山灵秘录

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 度曲须知

    度曲须知

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 梅华问答

    梅华问答

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 法华三昧忏仪勘定元本

    法华三昧忏仪勘定元本

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
热门推荐
  • 爱在深圳

    爱在深圳

    深圳是一个矛盾的城市,既有高楼大厦,又有低矮的农民房;既有高档住宅小区,又有凌乱不堪的城中村和二奶村;有体面的白领,又有无数的农民工。这座城市有道关口,一边是关内,一边是关外,既是天堂,又如炼狱。这里有梦想,这里有希望;这里有无助,这里有悲伤;这里有奋斗,这里有坚强。
  • 被甩后继承亿万资产

    被甩后继承亿万资产

    齐云被女朋友甩后,失去了人生目标,只得回家继承千亿家产。
  • 我在都市重写传说

    我在都市重写传说

    以幕后主使之身,将世界化作一盘大棋,以最初的幻想,不断完善创造出华丽而又精彩的终章,以信仰之名,创万界之唯一粉丝群:1132072790
  • 刺客领主

    刺客领主

    我实力不强,但会杀人,也只会杀人。我只杀我想杀的人,只杀想杀我的人。
  • Taming of the Shrew

    Taming of the Shrew

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 江湖有我名声在:残剑天下

    江湖有我名声在:残剑天下

    以北宋初年为背景,以契丹借道侵伐大理为始,引出主人公凌风与段铖,透过契丹密探北骑十八鹰,始出双子剑法;败契丹,负理宁,二人携手闯江湖,却怎成万众仇敌?为究明细,赴西南,怎与王小波结缘?步步而入,仇结四大魔王,练绝世神功,是因缘巧合还是被人算计?得入紫泉宫毁灭四魔,声名鹊起的背后又隐藏着何等天机?十六年前的血雨腥风、举世之仇,又将如何完结?凌风与林曦又如何生出情愫,如胶似漆是否终得鸳鸯双宿?段铖与赵妗又有怎样的羁绊,层层纠葛最终又将如何?
  • 幻梦斗

    幻梦斗

    残酷的青春逝去,一切都在以光的速度变化着,唯有他喜欢她的心没变。八年,不管她是之前不谙世事的少女,还是现在冷酷的职场灭绝。可是她呢,却一直追逐着那个高高在上的偶像,慢慢地,慢慢地迷失原本的自己.......终于,他累了,停止了追逐她的脚步。命运有时候就是这样,当一切不再属于你时,才会想起珍惜。“你娶我好吗?”回头,还来得及急吗?
  • 重生刁蛮影后:总裁的心尖宠

    重生刁蛮影后:总裁的心尖宠

    一朝被狗咬,十年怕狗粮。正是青葱的夏未央刚跟竹马干了一架口水战,谁知一转身就遇见了无聊至极的猥琐追求者,挥手拒绝后竟“无辜”遭骂,叔可忍,婶婶都不能忍!正要跟他干架,谁知一脚踩到了万能的香蕉皮,摔了个头破血流!头昏脑涨迷迷糊糊间,她只记得当时想,谁家的猴子跑出来乱扔香蕉皮的,站出来,看姑奶奶我不砸你一桶烂苹果?!太虐心了有木有?一“觉”醒来,她竟然成了另一个人,而她所在的这个地方原来的她竟然根本不存在?我去,年度大戏啊这是,不过,为什么她能够自主穿梭于两个时空呢?究竟,她,到底是谁?最后,她的归属,是这方的天空?还是那岸的蓝天?
  • 娱乐圈生存守则

    娱乐圈生存守则

    娱乐圈第一黑粉,黑粉之中的战斗机,胡铄,一个穷酸的IT毒舌女,一夜之间,穿越到了娱乐圈第一女星身上!竟然是自己天天损的女星!走红毯别扭,拍戏别扭,说话别扭,别扭地闯入娱乐圈!曾经作为黑粉团团长,面对黑粉,头疼不已。所有的烦恼解决,爱情?哈,自己崇拜多年的男偶巴,我来了!
  • 天行

    天行

    号称“北辰骑神”的天才玩家以自创的“牧马冲锋流”战术击败了国服第一弓手北冥雪,被誉为天纵战榜第一骑士的他,却受到小人排挤,最终离开了效力已久的银狐俱乐部。是沉沦,还是再次崛起?恰逢其时,月恒集团第四款游戏“天行”正式上线,虚拟世界再起风云!