She had seen it only once before when she had driven out from Portland, years ago, with her aunt. Mrs. Butterfield lived in Portland, but spent her summers in Edgewood on account of her chickens.
She always explained that the country was dreadful dull for her, but good for the hens; they always laid so much better in the winter time.
Lyddy liked the place all the better for its loneliness.
She had never had enough of solitude, and this quiet home, with the song of the river for company, if one needed more company than chickens and a cat, satisfied all her desires, particularly as it was accompanied by a snug little income of two hundred dollars a year, a meagre sum that seemed to open up mysterious avenues of joy to her starved, impatient heart.
When she was a mere infant, her brother was holding her on his knee before the great old-fashioned fireplace heaped with burning logs. A sudden noise startled him, and the crowing, restless baby gave an unexpected lurch, and slipped, face downward, into the glowing embers. It was a full minute before the horror-stricken boy could extricate the little creature from the cruel flame that had already done its fatal work.
The baby escaped with her life, but was disfigured forever.
As she grew older, the gentle hand of time could not entirely efface the terrible scars. One cheek was wrinkled and crimson, while one eye and the mouth were drawn down pathetically.
The accident might have changed the disposition of any child, but Lyddy chanced to be a sensitive, introspective bit of feminine humanity, in whose memory the burning flame was never quenched.
Her mother, partly to conceal her own wounded vanity, and partly to shield the timid, morbid child, kept her out of sight as much as possible; so that at sixteen, when she was left an orphan, she had lived almost entirely in solitude.
She became, in course of time, a kind of general nursery governess in a large family of motherless children.
The father was almost always away from home; his sister kept the house, and Lyddy stayed in the nursery, bathing the brood and putting them to bed, dressing them in the morning, and playing with them in the safe privacy of the back garden or the open attic.
They loved her, disfigured as she was, for the child despises mere externals, and explores the heart of things to see whether it be good or evil,--but they could never induce her to see strangers, nor to join any gathering of people.
The children were grown and married now, and Lyddy was nearly forty when she came into possession of house and lands and fortune; forty, with twenty years of unexpended feeling pent within her.
Forty, that is rather old to be interesting, but age is a relative matter.
Haven't you seen girls of four-and-twenty who have nibbled and been nibbled at ever since they were sixteen, but who have neither caught anything nor been caught? They are old, if you like, but Lyddy was forty and still young, with her susceptibilities cherished, not dulled, and with all the "language of passion fresh and rooted as the lovely leafage about a spring."
IV.
"He shall daily joy dispense Hid in song's sweet influence."
Emerson's _Merlin.
Lyddy had very few callers during her first month as a property owner in Edgewood. Her appearance would have been against her winning friends easily in any case, even if she had not acquired the habits of a recluse.
It took a certain amount of time, too, for the community to get used to the fact that old Mrs. Butterfield was dead, and her niece Lyddy Ann living in the cottage on the river road.
There were numbers of people who had not yet heard that old Mrs. Butterfield had bought the house from the Thatcher boys, and that was fifteen years ago; but this was not strange, for, notwithstanding aunt Hitty's valuable services in disseminating general information, there was a man living on the Bonny Eagle road who was surprised to hear that Daniel Webster was dead, and complained that folks were not so long-lived as they used to be.
Aunt Hitty thought Lyddy a Goth and a Vandal because she took down the twenty silver coffin plates and laid them reverently away.
"Mis' Butterfield would turn in her grave," she said, "if she knew it.
She ain't much of a housekeeper, I guess," she went on, as she cut over Dr. Berry's old trousers into briefer ones for Tommy Berry.
"She gives considerable stuff to her hens that she'd a sight better heat over and eat herself, in these hard times when the missionary societies can't hardly keep the heathen fed and clothed and warmed--no, I don't mean warmed, for most o' the heathens live in hot climates, somehow or 'nother.
My back door's jest opposite hers; it's across the river, to be sure, but it's the narrer part, and I can see everything she does as plain as daylight. She washed a Monday, and she ain't taken her clothes in yet, and it's Thursday. She may be bleachin' of 'em out, but it looks slack.
I said to Si last night I should stand it till 'bout Friday,--seein' 'em lay on the grass there, but if she didn't take 'em in then, I should go over and offer to help her. She has a fire in the settin'-room 'most every night, though we ain't had a frost yet; and as near's I can make out, she's got full red curtains hangin' up to her windows.
I ain't sure, for she don't open the blinds in that room till I get away in the morning, and she shuts 'em before I get back at night.
Si don't know red from green, so he's useless in such matters.
I'm going home late to-night, and walk down on that side o' the river, so't I can call in after dark and see what makes her house light up as if the sun was settin' inside of it."
As a matter of fact, Lyddy was reveling in house-furnishing of a humble sort. She had a passion for color. There was a red-and-white straw matting on the sitting-room floor.
Reckless in the certain possession of twenty dollars a month, she purchased yards upon yards of turkey red cotton; enough to cover a mattress for the high-backed settle, for long curtains at the windows, and for cushions to the rockers.
