Looking back at the man as I see him plainly now, a very ordinary scamp, his pretension not even amusing, I find it difficult to present him as he appeared to my boyish eyes. He was well educated and well read. He gave himself the airs of a superior being by freak of fate compelled to abide in a world of inferior creatures. To live among them in comfort it was necessary for him to outwardly conform to their conventions but to respect their reasoning would have been beneath him. To accept their laws as binding on one's own conscience was, using the common expression, to give oneself away, to confess oneself commonplace. Every decent instinct a man might own to was proof in Vane's eyes of his being "suburban," "bourgeois"--everything that was unintellectual. It was the first time I had heard this sort of talk.
Vane was one of the pioneers of the movement, which has since become somewhat tiresome. To laugh at it is easy to a man of the world; boys are impressed by it. From him I first heard the now familiar advocacy of pure Hedoni**. Pan, enticed from his dark groves, was to sit upon Olympus.
My lower nature rose within me to proclaim the foolish chatterer as a prophet. So life was not as I had been taught--a painful struggle between good and evil. There was no such thing as evil; the senseless epithet was a libel upon Nature. Not through wearisome repression, but rather through joyous expression of the animal lay advancement.
Villains--workers in wrong for aesthetic pleasure of the art--are useful characters in fiction; in real life they do not exist. I am convinced the man believed most of the rubbish he talked. Since the time of which I write he has done some service to the world. I understand he is an excellent husband and father, a considerate master, a delightful host. He intended, I have no doubt, to improve me, to enlarge my understanding, to free me from soul-stifling bondage of convention. Not to credit him with this well-meaning intention would be to assume him something quite inhuman, to bestow upon him a dignity beyond his deserts. I find it easier to regard him merely as a fool.
Our leading lady was a handsome but coarse woman, somewhat over-developed. Starting life as a music-hall singer, she had married a small tradesman in the south of London. Some three or four years previous, her Juno-like charms had turned the head of a youthful novelist--a refined, sensitive man, of whom great things in literature had been expected, and, judging from his earlier work, not unreasonably. He had run away with her, and eventually married her; the scandal was still fresh. Already she had repented of her bargain.
These women regard their infatuated lovers merely as steps in the social ladder, and he had failed to appreciably advance her. Under her demoralising spell his ambition had died in him. He no longer wrote, no longer took interest in anything beyond his own debasement.
He was with us in the company, playing small parts, and playing them badly; he would have remained with us as bill-poster rather than have been sent away.
Vane planned to bring this woman and myself together. To her he pictured me a young gentleman of means, a coming author, who would soon be earning an income sufficient to keep her in every luxury. To me he hinted that she had fallen in love with me. I was never attracted to her by any feeling stronger than the admiration with which one views a handsome animal. It was my vanity upon which he worked. He envied me; any man would envy me; experience of life was what I needed to complete my genius. The great intellects of this earth must learn all lessons, even at the cost of suffering to themselves and others.
As years before I had laboured to acquire a liking for cigars and whiskey, deeming it an accomplishment necessary to a literary career, so painstakingly I now applied myself to the cultivation of a pretty taste in passion. According to the literature, fictional and historical, Vane was kind enough to supply me with, men of note were invariably sad dogs. That my temperament was not that of the sad dog, that I lacked instinct and inclination for the part, appeared to this young idiot of whom I am writing in the light of a defect. That her languishing glances irritated rather than maddened me, that the occasional covert pressure of her hot, thick hand left me cold, I felt a reproach to my manhood. I would fall in love with her. Surely my blood was red like other men's. Besides, was I not an artist, and was not profligacy the hall-mark of the artist?
But one grows tired of the confessional. Fate saved me from playing the part Vane had assigned me in this vulgar comedy, dragged me from my entanglement, flung me on my feet again. She was a little brusque in the process; but I do not feel inclined to blame the kind lady for that. The mud was creeping upward fast, and a quick hand must needs be rough.
Our dramatic friend produced his play sooner than we had expected. It crept out that something very like it had been seen in the Provinces.
Argument followed, enquiries were set on foot. "It will blow over," said Vane. But it seemed to be blowing our way.
The salaries, as a rule, were paid by me on Friday night. Vane, in the course of the evening, would bring me the money for me to distribute after the performance. We were playing in the north of Ireland. I had not seen Vane all that day. So soon as I had changed my clothes I left my dressing-room to seek him. The box-office keeper, meeting me, put a note into my hand. It was short and to the point. Vane had pocketed the evening's takings, and had left by the seven-fifty train! He regretted causing inconvenience, but life was replete with small comedies; the wise man attached no seriousness to them. We should probably meet again and enjoy a laugh over our experiences.
Some rumour had got about. I looked up from the letter to find myself surrounded by suspicious faces. With dry lips I told them the truth.
