Marie Antoinette had not deceived herself. A man in a blouse, who had even laid his hand upon the carriage, and whose head almost touched the princess, a man with a blazing, determined face, and small, piercing black eyes, had heard the exclamation of the princess, and threw upon her a malignant, threatening glance.
"Madame loves us not, because we are ugly and dirty," he said; "but we should, perhaps, look pretty and elegant too, if we could put on finery to ride about in splendid carriages. But we have to work, and we have to suffer, that we may be able to pay our taxes. For if we did not do this, our king and his family would not be able to strut around in this grand style. We are dirty, because we are working for the king."
"I beg you, sir," replied the queen, softly, "to forgive my daughter; she is but a child, and does not know what she is saying.
She will learn from her parents, however, to love our good, hard-working people, and to be thankful for their love, sir."
"I am no 'sir,' " replied the man, gruffly; "I am the poor cobbler Simon, nothing more."
"Then I beg you, Master Simon, to accept from my daughter, as a remembrance, this likeness of her father, and to drink to our good health," said the queen, laying at the same time a louis-d'or in the hand of her daughter, and hastily whispering to her, "Give it to him."
The princess hastened to execute the command of her mother, and laid the glistening gold piece in the large, dirty hand which was extended to her. But when she wanted to draw back her delicate little hand, the large, bony fingers of the cobbler closed upon it and held it fast.
"What a little hand it is!" he said, with a deriding laugh; "I wonder what would become of these fingers if they had to work!"
"Mamma," cried the princess, anxiously, "order the man to let me go; he hurts me."
The cobbler laughed on, but dropped the hand of the princess.
"Ah," cried he, scornfully, "it hurts a princess only to touch the hand of a working man. It would be a great deal better to keep entirely away from the working people, and never to come among us."
"Drive forward quickly!" cried the queen to the coachman, with loud, commanding voice.
He urged on the horses, and the people who had hemmed in the carriage closely, and listened breathlessly to the conversation of the queen with the cobbler Simon, shrank timidly back before the prancing steeds.
The queen recovered her pleasant, merry smile, and bowed on all sides while the carriage rolled swiftly forward. The people again expressed their thanks with loud acclamations, and praised her beauty and the beauty of her children. But Marie Antoinette was no longer carried beyond herself by these words of praise, and did not rise again from her seat.
While the royal carriage was disappearing in the tumult and throng of the multitude, Simon the cobbler stood watching it with his mocking smile. He felt a hand upon his arm, and heard a voice asking the scornful question:
"Are you in love with this Austrian woman, Master Simon?"
The cobbler quickly turned round to confront the questioner. He saw, standing by his side, a little, remarkably crooked and dwarfed young man, whose unnaturally large head was set upon narrow, depressed shoulders, and whose whole appearance made such an impression upon the cobbler that the latter laughed outright.
"Not beautiful, am I?" asked the stranger, and he tried to join in the laugh of the cobbler, but the result was a mere grimace, which made his unnaturally large mouth, with its thick, colorless lips, extend from one ear to the other, displaying two fearful rows of long, greenish teeth.
"Not beautiful at all, am I? Dreadfully ugly!" exclaimed the stranger, as Simon's laughter mounted higher and higher.
"You are somewhat remarkable, at least," replied the cobbler. "If I did not hear you talk French, and see you standing up straight like one of us, I should think you were the monstrous toad in the fable that I read about a short time ago."
"I am the monstrous toad of the fable," replied the stranger, laughing. "I have merely disguised myself today as a man in order to look at this Austrian woman with her young brood, and I take the liberty of asking you once more, Have you fallen in love with her?"
"No, indeed, I have not fallen in love with her," ejaculated the cobbler. "God is my witness--"
"And why should you call God to witness?" asked the other, quickly.
"Do you suppose it is so great a misfortune not to love this Austrian?"
"No, I certainly do not believe that," answered the other, thoughtfully. "I suppose that it is, perhaps, no sin before God not to love the queen, although it may he before man, and that it is not the first time that, it has been atoned for by long and dreary imprisonment. But I do love *******, and therefore I shall take care not to tell a stranger what I think."
"You love *******!" exclaimed the stranger. "Then give me your hand, and accept my thanks for the word, my brother."
"Your brother!" replied the cobbler, astounded. "I do not know you, and yet you call yourself, without more formal introduction, my brother."
"You have said that you love *******, and therefore I greet you as my brother," replied the stranger. "All those who love ******* are brothers, for they confess themselves children of the same gracious and good mother who makes no difference between her children, but loves them all with equal intensity and equal devotion, and it is all the same to her whether this one of her sons is prince or count, and that one workman or citizen. For our mother, Freedom, we are all alike, we are all brethren."
"That sounds very finely," said the cobbler, shaking his head.
"There is only one fault that I can find with it, it is not true.
For if we were all alike, and were all brothers, why should the king ride round in his gilded chariot, while I, an old cobbler, sit on my bench and have my face covered with sweat?"
