Then all three, jostling each other at poor Gringoire's heels, began to sing their song to him,--"~Caritatem~!" chanted the blind man.
"~La buona mancia~!" chanted the cripple in the bowl.
And the lame man took up the musical phrase by repeating:
"~Un pedaso de pan~!"
Gringoire stopped up his ears. "Oh, tower of Babel!" he exclaimed.
He set out to run. The blind man ran! The lame man ran! The cripple in the bowl ran!
And then, in proportion as he plunged deeper into the street, cripples in bowls, blind men and lame men, swarmed about him, and men with one arm, and with one eye, and the leprous with their sores, some emerging from little streets adjacent, some from the air-holes of cellars, howling, bellowing, yelping, all limping and halting, all flinging themselves towards the light, and humped up in the mire, like snails after a shower.
Gringoire, still followed by his three persecutors, and not knowing very well what was to become of him, marched along in terror among them, turning out for the lame, stepping over the cripples in bowls, with his feet imbedded in that ant-hill of lame men, like the English captain who got caught in the quicksand of a swarm of crabs.
The idea occurred to him of ****** an effort to retrace his steps. But it was too late. This whole legion had closed in behind him, and his three beggars held him fast. So he proceeded, impelled both by this irresistible flood, by fear, and by a vertigo which converted all this into a sort of horrible dream.
At last he reached the end of the street. It opened upon an immense place, where a thousand scattered lights flickered in the confused mists of night. Gringoire flew thither, hoping to escape, by the swiftness of his legs, from the three infirm spectres who had clutched him.
"~Onde vas, hombre~?" (Where are you going, my man?)cried the cripple, flinging away his crutches, and running after him with the best legs that ever traced a geometrical step upon the pavements of Paris.
In the meantime the legless man, erect upon his feet, crowned Gringoire with his heavy iron bowl, and the blind man glared in his face with flaming eyes!
"Where am I?" said the terrified poet.
"In the Court of Miracles," replied a fourth spectre, who had accosted them.
"Upon my soul," resumed Gringoire, "I certainly do behold the blind who see, and the lame who walk, but where is the Saviour?"They replied by a burst of sinister laughter.
The poor poet cast his eyes about him. It was, in truth, that redoubtable Cour des Miracles, whither an honest man had never penetrated at such an hour; the magic circle where the officers of the Chatelet and the sergeants of the provostship, who ventured thither, disappeared in morsels; a city of thieves, a hideous wart on the face of Paris; a sewer, from which escaped every morning, and whither returned every night to crouch, that stream of vices, of mendicancy and vagabondage which always overflows in the streets of capitals;a monstrous hive, to which returned at nightfall, with their booty, all the drones of the social order; a lying hospital where the bohemian, the disfrocked monk, the ruined scholar, the ne'er-do-wells of all nations, Spaniards, Italians, Germans,--of all religions, Jews, Christians, Mahometans, idolaters, covered with painted sores, beggars by day, were transformed by night into brigands; an immense dressing-room, in a word, where, at that epoch, the actors of that eternal comedy, which theft, prostitution, and murder play upon the pavements of Paris, dressed and undressed.
It was a vast place, irregular and badly paved, like all the squares of Paris at that date. Fires, around which swarmed strange groups, blazed here and there. Every one was going, coming, and shouting. Shrill laughter was to be heard, the wailing of children, the voices of women. The hands and heads of this throng, black against the luminous background, outlined against it a thousand eccentric gestures. At times, upon the ground, where trembled the light of the fires, mingled with large, indefinite shadows, one could behold a dog passing, which resembled a man, a man who resembled a dog.
The limits of races and species seemed effaced in this city, as in a pandemonium. Men, women, beasts, age, ***, health, maladies, all seemed to be in common among these people;all went together, they mingled, confounded, superposed;each one there participated in all.
The poor and flickering flames of the fire permitted Gringoire to distinguish, amid his trouble, all around the immense place, a hideous frame of ancient houses, whose wormeaten, shrivelled, stunted fa?ades, each pierced with one or two lighted attic windows, seemed to him, in the darkness, like enormous heads of old women, ranged in a circle, monstrous and crabbed, winking as they looked on at the Witches' Sabbath.
It was like a new world, unknown, unheard of, misshapen, creeping, swarming, fantastic.
Gringoire, more and more terrified, clutched by the three beggars as by three pairs of tongs, dazed by a throng of other faces which frothed and yelped around him, unhappy Gringoire endeavored to summon his presence of mind, in order to recall whether it was a Saturday. But his efforts were vain; the thread of his memory and of his thought was broken; and, doubting everything, wavering between what he saw and what he felt, he put to himself this unanswerable question,--"If I exist, does this exist? if this exists, do I exist?"At that moment, a distinct cry arose in the buzzing throng which surrounded him, "Let's take him to the king! let's take him to the king!""Holy Virgin!" murmured Gringoire, "the king here must be a ram.""To the king! to the king!" repeated all voices.
They dragged him off. Each vied with the other in laying his claws upon him. But the three beggars did not loose their hold and tore him from the rest, howling, "He belongs to us!"The poet's already sickly doublet yielded its last sigh in this struggle.
While traversing the horrible place, his vertigo vanished.
