"/We hope/," Godeschal began again, after reading all through the document, "/that my lords on the Bench will not be less magnanimous than the august author of the decree, and that they will do justice against the miserable claims of the acting committee of the chief Board of the Legion of Honor by interpreting the law in the wide sense we have here set forth/----"
"Monsieur Godeschal, wouldn't you like a glass of water?" said the little messenger.
"That imp of a boy!" said Boucard. "Here, get on your double-soled shanks-mare, take this packet, and spin off to the Invalides."
"/Here set forth/," Godeschal went on. "Add /in the interest of Madame la Vicomtesse/ (at full length) /de Grandlieu/."
"What!" cried the chief, "are you thinking of drawing up an appeal in the case of Vicomtesse de Grandlieu against the Legion of Honor--a case for the office to stand or fall by? You are something like an ass! Have the goodness to put aside your copies and your notes; you may keep all that for the case of Navarreins against the Hospitals. It is late. I will draw up a little petition myself, with a due allowance of 'inasmuch,' and go to the Courts myself."
This scene is typical of the thousand delights which, when we look back on our youth, make us say, "Those were good times."
At about one in the morning Colonel Chabert, self-styled, knocked at the door of Maitre Derville, attorney to the Court of First Instance in the Department of the Seine. The porter told him that Monsieur Derville had not yet come in. The old man said he had an appointment, and was shown upstairs to the rooms occupied by the famous lawyer, who, notwithstanding his youth, was considered to have one of the longest heads in Paris.
Having rung, the distrustful applicant was not a little astonished at finding the head clerk busily arranging in a convenient order on his master's dining-room table the papers relating to the cases to be tried on the morrow. The clerk, not less astonished, bowed to the Colonel and begged him to take a seat, which the client did.
"On my word, monsieur, I thought you were joking yesterday when you named such an hour for an interview," said the old man, with the forced mirth of a ruined man, who does his best to smile.
"The clerks were joking, but they were speaking the truth too," replied the man, going on with his work. "M. Derville chooses this hour for studying his cases, taking stock of their possibilities, arranging how to conduct them, deciding on the line of defence. His prodigious intellect is freer at this hour--the only time when he can have the silence and quiet needed for the conception of good ideas.
Since he entered the profession, you are the third person to come to him for a consultation at this midnight hour. After coming in the chief will discuss each case, read everything, spend four or five hours perhaps over the business, then he will ring for me and explain to me his intentions. In the morning from ten to two he hears what his clients have to say, then he spends the rest of his day in appointments. In the evening he goes into society to keep up his connections. So he has only the night for undermining his cases, ransacking the arsenal of the code, and laying his plan of battle. He is determined never to lose a case; he loves his art. He will not undertake every case, as his brethren do. That is his life, an exceptionally active one. And he makes a great deal of money."
As he listened to this explanation, the old man sat silent, and his strange face assumed an expression so bereft of intelligence, that the clerk, after looking at him, thought no more about him.
A few minutes later Derville came in, in evening dress; his head clerk opened the door to him, and went back to finish arranging the papers.
The young lawyer paused for a moment in amazement on seeing in the dim light the strange client who awaited him. Colonel Chabert was as absolutely immovable as one of the wax figures in Curtius' collection to which Godeschal had proposed to treat his fellow-clerks. This quiescence would not have been a subject for astonishment if it had not completed the supernatural aspect of the man's whole person. The old soldier was dry and lean. His forehead, intentionally hidden under a smoothly combed wig, gave him a look of mystery. His eyes seemed shrouded in a transparent film; you would have compared them to dingy mother-of-pearl with a blue iridescence changing in the gleam of the wax lights. His face, pale, livid, and as thin as a knife, if I may use such a vulgar expression, was as the face of the dead. Round his neck was a tight black silk stock.
Below the dark line of this rag the body was so completely hidden in shadow that a man of imagination might have supposed the old head was due to some chance play of light and shade, or have taken it for a portrait by Rembrandt, without a frame. The brim of the hat which covered the old man's brow cast a black line of shadow on the upper part of the face. This grotesque effect, though natural, threw into relief by contrast the white furrows, the cold wrinkles, the colorless tone of the corpse-like countenance. And the absence of all movement in the figure, of all fire in the eye, were in harmony with a certain look of melancholy madness, and the deteriorating symptoms characteristic of senility, giving the face an indescribably ill-starred look which no human words could render.
But an observer, especially a lawyer, could also have read in this stricken man the signs of deep sorrow, the traces of grief which had worn into this face, as drops of water from the sky falling on fine marble at last destroy its beauty. A physician, an author, or a judge might have discerned a whole drama at the sight of its sublime horror, while the least charm was its resemblance to the grotesques which artists amuse themselves by sketching on a corner of the lithographic stone while chatting with a friend.
