She never had; she instinctively kept back the knowledge that she composed, dreading his ruthlessness when anything grated on his nerves, and knowing that a breath of mockery would wither her belief in herself, frail enough plant already. The only person, besides her master, to whom she confided her efforts was--strangely enough--Rosek. But he had surprised her one day copying out some music, and said at once: "I knew. I was certain you composed. Ah, do play it to me! I am sure you have talent." The warmth with which he praised that little "caprice" was surely genuine; and she felt so grateful that she even played him others, and then a song for him to sing. From that day, he no longer seemed to her odious;she even began to have for him a certain friendliness, to be a little sorry, watching him, pale, trim, and sphinx-like, in her drawing-room or garden, getting no nearer to the fulfilment of his desire. He had never again made love to her, but she knew that at the least sign he would. His face and his invincible patience made him pathetic to her. Women such as Gyp cannot actively dislike those who admire them greatly. She consulted him about Fiorsen's debts. There were hundreds of pounds owing, it seemed, and, in addition, much to Rosek himself. The thought of these debts weighed unbearably on her. Why did he, HOW did he get into debt like this? What became of the money he earned? His fees, this summer, were good enough. There was such a feeling of degradation about debt. It was, somehow, so underbred to owe money to all sorts of people. Was it on that girl, on other women, that he spent it all? Or was it simply that his nature had holes in every pocket?
Watching Fiorsen closely, that spring and early summer, she was conscious of a change, a sort of loosening, something in him had given way--as when, in winding a watch, the key turns on and on, the ratchet being broken. Yet he was certainly working hard--perhaps harder than ever. She would hear him, across the garden, going over and over a passage, as if he never would be satisfied.
But his playing seemed to her to have lost its fire and sweep; to be stale, and as if disillusioned. It was all as though he had said to himself: "What's the use?" In his face, too, there was a change. She knew--she was certain that he was drinking secretly.
Was it his failure with her? Was it the girl? Was it simply heredity from a hard-drinking ancestry?
Gyp never faced these questions. To face them would mean useless discussion, useless admission that she could not love him, useless asseveration from him about the girl, which she would not believe, useless denials of all sorts. Hopeless!
He was very irritable, and seemed especially to resent her music lessons, alluding to them with a sort of sneering impatience. She felt that he despised them as *******ish, and secretly resented it.
He was often impatient, too, of the time she gave to the baby. His own conduct with the little creature was like all the rest of him.
He would go to the nursery, much to Betty's alarm, and take up the baby; be charming with it for about ten minutes, then suddenly dump it back into its cradle, stare at it gloomily or utter a laugh, and go out. Sometimes, he would come up when Gyp was there, and after watching her a little in silence, almost drag her away.
Suffering always from the guilty consciousness of having no love for him, and ever more and more from her sense that, instead of saving him she was, as it were, pushing him down-hill--ironical nemesis for vanity!--Gyp was ever more and more compliant to his whims, trying to make up. But this compliance, when all the time she felt further and further away, was straining her to breaking-point. Hers was a nature that goes on passively enduring till something snaps; after that--no more.
Those months of spring and summer were like a long spell of drought, when moisture gathers far away, coming nearer, nearer, till, at last, the deluge bursts and sweeps the garden.
XV
The tenth of July that year was as the first day of summer. There had been much fine weather, but always easterly or northerly; now, after a broken, rainy fortnight, the sun had come in full summer warmth with a gentle breeze, drifting here and there scent of the opening lime blossom. In the garden, under the trees at the far end, Betty sewed at a garment, and the baby in her perambulator had her seventh morning sleep. Gyp stood before a bed of pansies and sweet peas. How monkeyish the pansies' faces! The sweet peas, too, were like tiny bright birds fastened to green perches swaying with the wind. And their little green tridents, growing out from the queer, flat stems, resembled the antennae of insects. Each of these bright frail, growing things had life and individuality like herself!
The sound of footsteps on the gravel made her turn. Rosek was coming from the drawing-room window. Rather startled, Gyp looked at him over her shoulder. What had brought him at eleven o'clock in the morning? He came up to her, bowed, and said:
"I came to see Gustav. He's not up yet, it seems. I thought Iwould speak to you first. Can we talk?"
Hesitating just a second, Gyp drew off her gardening-gloves:
"Of course! Here? Or in the drawing-room?"
Rosek answered:
"In the drawing-room, please."
A faint tremor passed through her, but she led the way, and seated herself where she could see Betty and the baby. Rosek stood looking down at her; his stillness, the sweetish gravity of his well-cut lips, his spotless dandyism stirred in Gyp a kind of unwilling admiration.
"What is it?" she said.
"Bad business, I'm afraid. Something must be done at once. I have been trying to arrange things, but they will not wait. They are even threatening to sell up this house."With a sense of outrage, Gyp cried:
"Nearly everything here is mine."
Rosek shook his head.
"The lease is in his name--you are his wife. They can do it, Iassure you." A sort of shadow passed over his face, and he added:
"I cannot help him any more--just now."
Gyp shook her head quickly.
